For generations, Indigenous women in Mexico have understood the vast power of mushrooms—medicinal, culinary, spiritual, toxic. Their knowledge has been calibrated and passed down matrilineal channels, not unlike the mycelial network that connects individual mushrooms to one another underneath rich soil.  In Daughters of the Forest, Mexican filmmaker Otilia Portillo Padua documents two specific women, Lis and Juli, who reside with their families in these verdant enclaves. While they both possess a wealth of ancestral knowledge about mushrooms, Lis and Juli hope to distinguish themselves within academia. But there is no tension between homeopathy and science here. Instead, the women […]

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Rachel Mason’s gripping true crime doc My Brother’s Killer is, first and foremost, a love letter. My Brother’s Killer emerged, in part, from Rachel Mason’s previous documentary Circus of Books, named after her parents’ West Hollywood gay porn bookstore, where she grew up enamored by the men who frequented it. Her latest film is also an ode to West Hollywood’s famed yet notorious stretch of Santa Monica Boulevard of the 1990s. Moreover, it is a love letter to a VHS era; a magazine era; a video awards era (ushered in by the likes of Chi Chi LaRue); a cyberpunk era […]

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Filmmaker is heading to the 40th edition of SXSW, where myself and several talented contributors will be on the ground filing interviews and dispatches from various corners of Austin’s city limits. This year’s lineup is massive—with 119 feature films alone—and we happily assume the daunting role of covering buzzy world premieres and hidden gems alike.  Speaking of world premieres, there’s an expected emphasis on genre fare among this year’s crop. Irish low-budget maverick Damian McCarthy scales up with Hokum, a folk-tinged rental house horror that provokes chills through its trailer alone. This releases via Neon just two and a half […]

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In the opening beats of The Bride!, the second feature written and directed by Maggie Gyllenhaal, the ghost of Mary Shelley (Jessie Buckley) mutters to herself from some dark corner of the subconscious ether. She rasps about the sequel to her most iconic work, Frankenstein, that she never got to write before she died in 1851. What would this hypothetical book be, she wonders: “Is it a horror story, a ghost story, or, most frightening of all, a love story?”  What follows is a cat-and-mouse road movie, a jewel-toned Jazz Age thriller, a romantic caper following Frankenstein’s monster—who goes by […]

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The Columbia, Missouri-based True/False Film Festival kicks off its 23rd edition, one that boasts a particularly exciting lineup of non-fiction films, musical performances, and coinciding art installations.  Running from March 5–8, the theme for the 2026 program is “You Are Here,” chosen by visiting artistic director Yance Ford. The director of acclaimed docs Strong Island (2017) and Power (2024) is intimately familiar with the politics of place: Nominated for an Academy Award, Strong Island documents the racially-motivated killing of Ford’s brother in Long Island; more broadly, Power charts the creation of modern American policing.  Both films have screened at previous […]

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