Like many film events this past summer and fall, this year’s Hawai’i International Film Festival found cinema in a bit of an uneasy holding pattern, what with the Hollywood strikes, the after-effects of pandemic production delays, a rising fear of an A.I.-dominated future, and a growing dissatisfaction with commercial cinema’s superhero-centric fixations. But rather than the paranoia and uncertainty that dominated mainland festivals, Hawai’i seemed invigorated by what was rising up in its place. News that much-anticipated titles like Alika Tengan’s feature Molokai’i Bound, Mitchel Merrick’s Native Hawaiian martial-arts actioneer Kūkini, and Zoë Eisenberg’s debut Chaperone had neared completion gave […]

The post Stories Shared, Stories Known: the 2023 Hawai’i International Film Festival Presented by Halekulani first appeared on Filmmaker Magazine.

On November 15, at a DOC NYC panel called “Balancing Storytelling and Financial Stability,” South African filmmaker Milisuthando Bongela, director of the acclaimed 2023 Sundance film Milisuthando, recounted her unfortunate story of funding gone wrong—and how powerhouse nonfiction studio XTR offered her production hundreds of thousands of dollars in grant money last November to help her deliver her documentary for its Sundance premiere, and then, five weeks later and after repeated attempts to follow up, the company responded that they were withdrawing the offer. “When she told this story, I was shocked,” says prominent Oscar-winning documentary producer and Story Syndicate […]

The post XTR is Making Big Promises to Documentary Filmmakers, But Some Feel Betrayed first appeared on Filmmaker Magazine.

“Things are bad all over,” I thought to myself, as I left ceasefire protests in New York to attend a film festival in Bombay, India, whose recent news cycle included the political persecution of writer Arundhati Roy for a comment made about Kashmir in 2010 — indicating an opportunistically timed defense of occupation. India, too, agreed to send 1,000 workers to Israel as replacements for deported Gazans (before Indian trade unions refused in protest), and the country’s military remains Israel’s biggest arms client. All of this gave me a queasy feeling as I was thrust into the pomp of the […]

The post Festival Report: The 2023 JIO MAMI Mumbai Film Festival first appeared on Filmmaker Magazine.

Discovering Michelle Monaghan in Kiss Kiss Bang Bang was like finding evidence that the old-school Hollywood comedy actress gene, long thought extinct, was alive and well. She did more than hold her own opposite Robert Downey Jr. and Val Kilmer — she stole the movie. I’ve been rooting for her ever since. A few Mission Impossibles, Gone Baby Gone, True Detective followed, as well as some significant work in small indies like Trucker, Fort Bliss, and Nanny. She returns to comedy with her latest, The Family Plan, which is streaming now on Apple TV+. On this episode, she talks about […]

The post “It’s a Gift When People Share with Me their Stories”: Michelle Monaghan, Back To One, Episode 273 first appeared on Filmmaker Magazine.

Early in music supervisor Lucy Bright’s career, she worked at Warner Classics and managed composer Michael Nyman. In 2020 she started Bright Notion Music, her own music publishing company, which has signed composers such as Hildur Guðnadóttir, Oliver Coates, and Anne Nikitin. She is known for critically acclaimed British films such as The Arbor and Slow West and more recently Tár, where her classical understanding and personal familiarity with the composers referenced in the script, helped create the movie that was named Best Picture by several major critics associations. Bright was also awarded the first ever prize for music supervision […]

The post “I Wish Film Schools Would Teach Directors and Producers More About Music Rights”: Music Supervisor Lucy Bright first appeared on Filmmaker Magazine.

Over her two-decade-long career, music supervisor and self-confessed music nerd Susan Jacobs has worked with directors such as Robert Altman, Jean-Marc Vallée and Spike Lee. She has worked on notable TV series and films such as I, Tonya, American Hustle, and Little Miss Sunshine. She won the first ever Emmy award for music supervision for her work on Vallée’s Big Little Lies, where she worked without a composer, handpicking specific sounds and musical artists for each character in an attempt to mirror the intricacies of their personal lives. On another Vallée project, Sharp Objects, Jacobs exhibited this aptitude again, building […]

The post “If You Know the Song, and Your Mother Knows the Song, You Can’t Afford the Song”: Music Supervisor Susan Jacobs Demystifies the Profession first appeared on Filmmaker Magazine.

After going to school for film at the University of East London, Jemma Burns began music supervising on TV series Summer Heights High. She has worked on noteworthy film and TV series’ like Okja and Top of the Lake. More recent credits include Heartbreak High, which featured 128 songs of different genres, from pop ballads from musical artists like Dua Lipa and Steve Lacy to more underground drill and trap beats. For the Ari Aster film Beau is Afraid, Burns was able to land Mariah Carey’s “Always Be My Baby” for a peculiar and freaky sex scene by being strategic […]

The post “I Like the Challenge of Trying to Find a New Approach to Music That Doesn’t Feel Tired”: Music Supervisor Jemma Burns on Creativity and Musicology first appeared on Filmmaker Magazine.

Near the end of Matewan (1987), socialist union organizer Joe Kenehan (Chris Cooper), a guiding light and galvanizing force for a West Virginia town of striking coal miners under siege, attempts to console frustrated young Danny Radnor (Will Oldham), a nascent preacher and union man. Overwhelmed by the violence and hardships they’ve suffered, the boy gives into despair, declaring in rage and desperation that it’s every man for himself. Joe’s stirring reply is that they must all look after each other, no matter what. Though followed by a long-brewing scene of climatic violence, this quiet but deeply moving moment between […]

The post Cinema of Bread and Roses: An Interview with Maggie Renzi and John Sayles  first appeared on Filmmaker Magazine.

Filmmaker and New York’s Metrograph Theater have partnered on a screening series as well as online streaming selection, “25 New Faces: Highlights, Favorites and Deep Cuts.” As the title suggests, it spotlights filmmakers chosen for our popular annual survey of new talent. Three programs run this weekend (Friday, December 15 and Saturday, December 16): one program of short films curated from our 2023 selection and then two drawn from prior years. In addition, a number of the shorts will stream online for Metrograph members. I’ll be there this weekend hosting the screenings along with some of the filmmakers and hope […]

The post Filmmaker and Metrograph Partner on “25 New Faces: Highlights, Favorites and Deep Cuts” first appeared on Filmmaker Magazine.

The Sundance Institute announced today the 2024 Sundance Film Festival short film lineup and the 40th Edition Celebration Screenings and Events — programming featuring alumni artists looking back on the festival’s four-decade history. The 40th Edition events will take place the second half of the festival (January 23 – 26) and will include brand-new 4K restorations of Napoleon Dynamite (20th anniversary) Go Fish (30th anniversary), Three Seasons (25th anniversary), and an extended version of DIG! (20th anniversary), featuring over 30 minutes of additional footage, titled DIG! XX. Also showing will be The Babadook and Pariah, and restorations of Mississippi Masala […]

The post 2024 Sundance Film Festival Announces 53 Short Films Plus 40th Edition Celebration Screenings first appeared on Filmmaker Magazine.