Full Sail University’s accelerated film degree programs provide student filmmakers with the classes, technology, and educators they need to make their way in the industry. Film students learn to balance creative storytelling with technical skills for a comprehensive filmmaking education. Full Sail’s Film Degree Programs Full Sail’s film degrees are hands-on programs that are focused on providing students a wide range of experience in their industry. In the Film bachelor’s program, students tackle every step of the filmmaking process, from scriptwriting and set-building to camera setup and post-production. Each student takes on a key role or a crew role during dedicated film days, where they work together on set and experience a […]

The post Full Sail University’s Film Programs: Preparing the Next Generation of Filmmakers (Sponsored Post) first appeared on Filmmaker Magazine.

New/Next Film Festival, produced by Baltimore NPR affiliate station 88.1 WYPR and curated by programmer Eric Allen Hatch, announces today the first titles in its inaugural 2023 lineup. The festival was created in reaction to the recent news that the Maryland Film Festival would not have a 2023 edition. New/Next will run from August 18-20 and be hosted at the five-screen Charles Theatre in Baltimore. “I’m thrilled to be back at The Charles Theatre, bringing some of the most exciting cinema I’ve seen in recent years to our audiences,” said Hatch, who was MdFF’s director of programming from 2010-2018, in […]

The post New/Next Film Festival Announces First Titles in Its Inaugural Lineup first appeared on Filmmaker Magazine.

Winner of the World Cinema Dramatic Prize at Sundance this year, the trailer arrives for Scrapper, the feature debut from British writer-director Charlotte Regan. The film will hit U.S. theaters—including New York City’s IFC Center—via Kino Lorber on August 25. An official synopsis reads: This vibrant and inventive father-daughter comedy follows Georgie (Lola Campbell), a resourceful 12-year-old girl who secretly lives alone in her flat in a working class suburb of London following the death of her mother. She makes money stealing bikes with her best friend Ali (Alin Uzun) and keeps the social workers off her back by pretending […]

The post Trailer Watch: Charlotte Regan’s Scrapper first appeared on Filmmaker Magazine.

“A cutting room is a place where you see things that haven’t been seen before and may never be seen again,” says non-fiction editor and filmmaker Maya Daisy Hawke in Proof of Self, one of two masterclass short films (alongside Notes on Notes) that she’s made available to watch on Vimeo. “It’s where a certain amount of magic happens and where the truth gets buried—because ultimately once it’s been captured, it’s no longer real.” Proof of Self is 24-minutes long and partially explores Hawke’s nagging suspicion that she was “living in a spy novel” while editing the 2022 doc Navalny, […]

The post Maya Daisy Hawke Shares Masterclass Films Proof of Self and Notes on Notes first appeared on Filmmaker Magazine.

Over the past 15 years, British filmmaker Jeanie Finlay has earned a reputation for nuanced, sensitive and compelling documentary portraits. Her films have told many unlikely stories: the rise and fall of a reluctant Elvis lookalike in Orion: The Man Who Would Be King, two Scottish hip hop fraudsters in The Great Hip Hop Hoax, a pregnant transgender man in Seahorse. Her first feature film, Sound it Out, told the story of the last record shop in the Northeast of England and its owner, Tom Butchart, a school friend of Finlay’s. The morning after the world premiere of Finlay’s latest […]

The post “I’m Not a Fly on the Wall, I’m Not Invisible”: Jeanie Finlay on Your Fat Friend first appeared on Filmmaker Magazine.

Currently boasting 100% on Rotten Tomatoes and heading into its second weekend in New York theaters is Brian Vincent‘s Make Me Famous, a self-distributed documentary about the 1980s New York art world centered around painter Edward Brezinski. A notable figure from the era that spawned Nan Goldin, Jean-Michel Basquiat and David Wojnarowicz, he never attained their level of recognition and subsequently disappeared — a disappearance the filmmakers try to solve. From the press materials: A madcap romp through the 1980’s NYC art scene amid the colorful career of painter, Edward Brezinski, hell-bent on making it. What begins as an investigation […]

The post Trailer Watch: Brian Vincent’s ’80s NYC Art World Doc, Make Me Famous first appeared on Filmmaker Magazine.

Dave Burd, known by his stage name Lil Dicky, is a multi-platinum rapper, comedian and actor. For three seasons now, he has been the co-creator, executive producer, writer and star of the critically acclaimed comedy series, Dave. In this hour, he takes us from the beginning, being the laugh machine for his friends, through the discovery of his musical talent and the viral comedy video years, and finding his happy place in pitch meetings, convincing the money people that he could not just make a good TV show, that’s easy, but maybe one of the great shows of all time. He talks about […]

The post “With the Acting, It’s the One Thing That I Just Don’t Have Time To Prepare For; And I Think It Serves Me Well”: Dave Burd (Back To One, Episode 259) first appeared on Filmmaker Magazine.

After more than 30 years of collaborating as a writing-directing duo, the Coen brothers have decided to embark on solo projects for the foreseeable future. Joel Coen helmed The Tragedy of Macbeth back in 2021, and Ethan Coen debuted Jerry Lee Lewis: Trouble in Mind last year at Cannes. While that documentary still awaits a release, Ethan’s lesbian road movie Drive-Away Dolls is set to hit theaters early this fall. Co-written by spouses Coen and Tricia Cooke (who also edited Drive-Away Dolls together), the film stars Margaret Qualley and Geraldine Viswanathan in the lead roles with Beanie Feldstein, Pedro Pascal, […]

The post Trailer Watch: Ethan Coen’s Drive-Away Dolls first appeared on Filmmaker Magazine.

“It’s so great that this festival is back again!” In one form or another, I kept hearing that phrase between June 15 to 18 at DC/DOX, a brand-new festival in the Washington, D.C. metro area. Sky Sitney, DC/DOX’s co-founder, was also a founder of the 1990s-born Silverdocs, a partnership between American Film Institute and Discovery Networks mourned by the entire doc community after it passed. Silverdocs morphed into AFI Docs when Discovery bailed, but AFI Docs was run out of AFI’s Los Angeles office and often seemed out of touch with DC. Meanwhile, Sitney co-founded a mini-festival, Double Exposure, with […]

The post Highlights from the Inaugural Edition of DC/DOX first appeared on Filmmaker Magazine.

PAM CUT // Center for an Untold Tomorrow, the film and new media arm of the Portland Art Museum, is currently accepting applications for their third annual Sustainability Labs. The six month program is specifically tailored for multidisciplinary media storytellers, providing mentorship, career-developing resources and stipends to further their artistic practices. Applications close on July 1. “Our organization is all about artists who aren’t content to be contained—by medium, what’s come before or a singular type of media that they’re working with,” Amy Dotson, director of PAM CUT and curator of Film & New Media at the Portland Art Museum, […]

The post Apply for PAM CUT’s 2023 Sustainability Labs first appeared on Filmmaker Magazine.