The Gotham (Filmmaker‘s publisher) and Variety announce today Variety Gotham Week, a multi-day event celebrating the Broadway, film, television and audio creative communities, which will take place in NYC from October 2-6. Also announced today is the cancellation of the 2023 Gotham Project Market in accordance with WGA strike rules. Those that have already submitted to this year’s Project Market have been notified and invited to participate in Variety Gotham Week programming instead. Variety Gotham Week programming will include screenings of new films (featuring corresponding events and after parties), panel conversations with relevant arts and cultural figures, the second annual […]

The post The Gotham and Variety Partner on Variety Gotham Week Amid 2023 Project Market Cancellation first appeared on Filmmaker Magazine.

Fantasia International Film Festival announces today a second wave of titles to screen at the festival’s forthcoming 27th edition, which will take place in Montreal from July 20 through August 9. Screenings, workshops and launch events will be hosted at the Concordia Hall Cinema, with additional screenings located at the Cinémathèque Québécoise and Cinéma du Musée.  A first wave of programming for the festival was announced last month, and the full Fantasia 2023 lineup will be announced in early July. Until then, read the full list of second wave titles below or on Fantasia’s official website. Red Rooms Coming to […]

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Art and biology coexist in the work of artist Heather Dewey-Hagborg, who has created images — film, video, sculptural — as well as multimedia performance and process-oriented work that animate with emotional complexity increasingly urgent questions around identity and personal freedom. Much of her work uses DNA as both subject and artistic material, with the artist working herself with genome sequencing and DNA collection as well as exploring the implications of this same work being commodified at scale through consumer-facing companies like 23andMe. What’s particularly noteworthy are the emotional valences she brings to these questions. Neither a techno-thrillseeker or a […]

The post “It is Like a Story From a Database That We Are All Implicated In”: Heather Dewey-Hagborg and Toshiaki Ozawa on Their DNA-Themed Short Film, T3511 first appeared on Filmmaker Magazine.

Emma Seligman appeared on our annual 25 New Faces of Film list back in 2020 ahead of the release of Shiva Baby, her feature debut starring Rachel Sennott as a young woman navigating anxiety-inducing encounters at a relative’s wake. She reunites with Sennott for her sophomore feature Bottoms, which she co-wrote with the actress who once again stars, this time alongside Ayo Edebiri as queer high schoolers who devise a hands-on scheme for hooking up with otherwise straight cheerleaders. Watch the first red band trailer above. The official synopsis reads: Bottoms, a refreshingly unique raunchy comedy, focuses on two girls, […]

The post Trailer Watch: Emma Seligman’s Bottoms first appeared on Filmmaker Magazine.

Filmmaker is pleased to host the exclusive trailer premiere of Film at Lincoln Center’s forthcoming retrospective series “Marco Ferreri: Beyond the Absurd,” which was co-produced by Cinecittà. The most comprehensive U.S. retrospective of the Italian director’s work will take place at FLC from June 9 through 22, with several films presented on 35mm. Per the press release: Highlights include Ferreri’s third feature The Little Coach, starring the famous comic actor José Isbert, which established young Ferreri as a European master of black humor; The Ape Woman, which underwent harsh censorship and is now presented with its three different endings: the […]

The post Exclusive Trailer: Film at Lincoln Center’s “Marco Ferreri: Beyond the Absurd” Retrospective Series first appeared on Filmmaker Magazine.

In recent movies like Air and Funny Pages, television series like Our Flag Means Death, and plays like Annie Baker’s The Flick, Matthew Maher has made a name for himself as someone who can bring an oddball or weirdo to full life with enough charm, charisma, and genuine gusto to make us love him unconditionally. On this episode, he talks about his acting foundations, the tools formative teachers have given him, and some theories he has developed as a teacher himself. He explains the allure of experimental theater in ’90s New York City, makes a case for embracing contradictions and obstructions in a character and […]

The post “I Do Not Have an Adult Profession, and So You Need To Maintain Access to Your Childlike Self”: Matthew Maher (Back To One, Episode 256) first appeared on Filmmaker Magazine.

This post is part of a series, Girlblogging. Read the introduction here. Also, in New York, American Psycho screens tonight at the Paris Theater with director Mary Harron present in a tribute to producer Ed Pressman. The orchestral sting slices through the opening credits; perfect drops of blood rain down like vinyl balloons or the forms in a photorealistic painting: taut and shiny, artificially self-contained. When they splatter, the punch line lands. It was a joke all along—not blood, not really, just a false appearance—an emulsion drizzled across bone china; the screen expands to reveal a chef’s knife descending upon […]

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Girlblogging is the online expression of a certain kind of girlhood: a condition not strictly defined by youth or gender, but—per the French theory collective Tiqqun in Preliminary Materials for a Theory of the Young-Girl—the quality of being “the model citizen as redefined by consumer society.” The lace and ribbons are just bells and whistles. At its core, girlhood is the aesthetic of the unequal power-relation.  The Young-Girl who constructs reactions and critiques, the girlblogger, manages to be both the consummate consumer and the consummate consumer good. Though she is wounded by them, she derives a certain pleasure from the […]

The post Girlblogging: For Girls, By Girls (Girls on Film) first appeared on Filmmaker Magazine.

MUBI has released a new trailer for the 25th anniversary 4K restoration of Lars von Trier‘s dark comedy The Idiots. The only film that von Trier made under the Dogme 95 “Vow of Chastity” (and the second official Dogme film, or Dogme #2), The Idiots centers on a commune in the Danish suburbs where members aim to disrupt wider “bourgeoisie” society by pretending to have mental and physical ailments in public. It is the second film in von Trier’s Golden Heart Trilogy, preceded by Breaking the Waves and followed by Dancer in the Dark. The Idiots will open theatrically at […]

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Distribution strategist Peter Broderick, whose articles on microbudget filmmaking were foundational in the early days of this magazine, publishes a weekly newsletter that is a must-read for anyone tracking the independent film industry. A recent edition, his report on Sundance 2023 documentary sales, has prompted discussion and clarified important current trends in non-fiction acquisitions. This report is reprinted with his permission. Sign up for Broderick’s newsletter here. — Editor “Every independent filmmaker should learn the lessons of Sundance. This year’s festival revealed critically important developments in the indie ecosystem.” Let’s start with the same two sentences that began my Special Report […]

The post Sundance 2023 Documentary Sales and Beyond: Stark Realities, Golden Opportunities first appeared on Filmmaker Magazine.