One of the most surprising revelations about the painter (and multimillion-dollar mass marketer) Thomas Kinkade, “the most successful artist of his time” according to the synopsis for Miranda Yousef’s SXSW-premiering doc Art for Everybody, is not that he was, well, “the most successful artist of his time.” Nor that after his death a decade ago from a drug and alcohol overdose his family discovered a secret trove of rather dark and sometimes disturbing work, images at complete odds with the sugary sweet depictions of small-town life that once graced the walls of the Thomas Kinkade Signature Gallery franchises, a ubiquitous presence […]

The post “…The Costs of Turning Yourself from a Three-Dimensional Person into a Two-Dimensional Brand”: Miranda Yousef on Her SXSW-Premiering doc Art for Everybody first appeared on Filmmaker Magazine.

In the nine years since Serial, the “true crime podcaster” has become, variously, a career goal, sociological type and, in TV shows like Only Murders in the Building, object of satire. In Citizen Sleuth, world premiering in SXSW’s Documentary Spotlight section, debuting director Chris Kasick considers his voluble, no-filter subject—Emily Nestor of the Mile Marker 181 podcast—from all of these angles while also producing a work that is something of a moral reckoning for the popular audio genre. In 2011, Jaleayah Davis, a 20-year old Ohio woman, died in a horrible drunk-driving accident, her head severed from her body. Or […]

The post “How Do You Talk About It as a Murder When You Think It’s an Accident?” Citizen Sleuth Director Chris Kasick on His SXSW-Premiering Mile Marker 181 Doc first appeared on Filmmaker Magazine.

“Like an Abel Ferrara Jr., [Calvin Lee] Reeder meshes thought and design with genre storylines, like a Euro-filmmaker making ’70s drive-in films,” wrote Mike Plante in his 2007 25 New Face profile of the Portland, Ore.-born filmmaker. Sixteen-years later, the alt-horror auteur is still moving between the border spaces of various horror and science-fiction sub-genres, with his newest work — the SXSW-premiering independent TV pilot Harbor Island — being one of the most existentially offbeat yet. The festival’s program book provides the narrative gist but not the work’s extremely odd affect, which is something like watching Rupert Pupkin act in […]

The post “I Like the Idea of Comedy in an Uninhabitable Place”: Director Calvin Lee Reeder on His SXSW-Premiering TV Pilot, Harbor Island first appeared on Filmmaker Magazine.

The SXSW Film and TV Festival is officially underway, and this year marks quite a few significant milestones for the organization. For one, this is the event’s 30th iteration, and the first one that Claudette Godfrey oversees in her brand new role as Festival Director, taking over the position that Janet Pierson occupied for 15 years. (Natalia Keogan interviewed Godfrey shortly before the fest kicked off, which you can read here.) This also feels like SXSW’s ostensible “comeback” since COVID, with the festival implementing a concerted focus on reconvening on-site in Austin, Texas. This year’s lineup certainly reflects a return […]

The post 15 Films We’re Anticipating at the 2023 SXSW Film and TV Festival first appeared on Filmmaker Magazine.

The drive to donate a kidney to a stranger is not a desire I—nor the majority of the population, for that matter—can relate to. (But then again I’ve personally no great love for humanity in general, as arguably the planet would be far better off had we gone the way of the dinosaurs. And luckily for Mother Earth, we still may!) Which puts me at philosophical odds with veteran filmmaker (and main protagonist) Penny Lane, whose latest doc Confessions of a Good Samaritan is a deep dive into the science as well as ethical implications behind altruistic donation. It’s also a […]

The post “The Inspiration To Donate a Kidney Was Not a ‘Project’ To Begin With”: Penny Lane on Confessions of a Good Samaritan first appeared on Filmmaker Magazine.

Students and alumnx of the Vermont College of Fine Arts MFA in Film have been honored by the Center for Arts + Social Justice (CASJ) with fellowships in support of their groundbreaking activism and award-winning work, which brings social issues to a global audience. CASJ recognizes projects that show an indelible commitment to social justice, and creators who seek to inspire community-based change through the arts. Jen Gilomen ’23: Maternal health advocate investigating systemic injustices Brought about by Gilomen’s own birth experience, Delivering Justice explores maternal mortality and the maternal healthcare crisis in the United States, which disproportionately affects women of […]

The post Filmmakers Explore the Intersection of Arts and Social Justice at VCFA (Sponsored Post) first appeared on Filmmaker Magazine.

Now that the drama is over about whether the Academy would disqualify Andrea Riseborough for her rules-skirting DIY Oscar campaign for To Leslie, we can now return to the question every indie filmmaker wants to know. Just how do you run a DIY Oscar campaign on an indie film that grossed less than $30,000? I don’t know exactly how she did it, but I can tell you how I did it with my recent Watergate thriller/comedy 18½ that grossed about the same (though with slightly different results). In short, the road to getting an Oscar nomination (much less an award) […]

The post How To Run a DIY Oscar Campaign first appeared on Filmmaker Magazine.

When it comes to music documentaries, the bar is low—some new footage, a long-unseen live performance, maybe a fresh anecdote or two—and yet rarely cleared. For Pavement fans, though, Louder Than You Think will be essential viewing. The trim 90 minutes tell the story of the band’s original drummer, Gary Young, also the engineer of their first sessions at the Stockton, California record studio from which the film gets its name. It’s no secret that Young was essentially kicked out of the band for his heavy drinking habit, which is still on full display in this film; throughout his interviews, Young […]

The post “Never Delete Your Old Footage”: Jed I. Rosenberg on Pavement Documentary Louder Than You Think first appeared on Filmmaker Magazine.

According to cinematographer Florian Hoffmeister, writer/director Todd Field often expressed his desired aesthetic for TÁR in a series of repeated Field-isms: Let’s just witness. Don’t gild the lily. Don’t make it look like a movie with a capital “M.” In other words, make the style invisible. However, Hoffmeister’s work was far from invisible to his peers, who bestowed an Oscar nomination upon the German DP for his work on the film. TÁR—Field’s first feature in more than 15 years—follows the downfall of a composer/conductor played by Cate Blanchett as she prepares a career-capping performance of Mahler’s Fifth Symphony with the Berlin Philharmonic. […]

The post “I Would’ve Shot the Telephone Directory of New York If Todd Had Asked Me To”: DP Florian Hoffmeister on TÁR first appeared on Filmmaker Magazine.

At this year’s edition of the SXSW Film & TV Festival, two significant milestones will be achieved: the festival will celebrate its 30th iteration, and it will be programmer Claudette Godfrey’s first as the organization’s newly-minted Festival Director. She was passed the torch back in October, taking over for SXSW leader Janet Pierson, who previously occupied the position for 15 years. An Austin native, Godfrey has effectively worked from the ground up since she began at SXSW as a volunteer crew manager in 2006. During a recent interview via Zoom, Godfrey told me about the various job titles she’s amassed […]

The post Five Questions for SXSW’s New Film & TV Festival Director Claudette Godfrey first appeared on Filmmaker Magazine.