A Peruvian pilgrimage to visit the village of a recently-deceased relative propels the plot of Urpi: Her Last Wish. Helmed by Sisa Quispe as her MFA thesis film at the City College of New York, she also stars as the titular Urpi, a young American woman who travels to the Andes to reconnect with the culture she has long felt severed from.  Guiding her through her personal journey is Sayri (Juan Abel Ojeda Llanos), a local Indigenous man who treks with her to remote villages in order to find the former abode of her grandmother so that Urpi may pay […]

The post “The Story Kept Growing Alongside My Real-life Experience”: Sisa Quispe on Her Student Short Film Showcase Winner Urpi: Her Last Wish first appeared on Filmmaker Magazine.

For her California Institute of the Arts MFA thesis film, Mel Sangyi Zhao decided to travel back to her Chinese hometown of Chengdu and cast her mother in the lead role. The resultant film, Return to Youth, follows a retired dancer as she navigates the pressures of misogyny, ageism and a budding romance with a man several decades her junior.  Recently pitched with the prospect of undergoing a vaginal rejuvenation surgery, the elegant Bing (Xiaobing Zhao) laughs off the procedure as preposterous. Only when her cohort of friends begin to seriously discuss their interest does she understand that she, too, […]

The post “We Have More in Common Than We Think”: Mel Sangyi Zhao on Her Student Short Film Showcase Winner Return to Youth first appeared on Filmmaker Magazine.

The creepy premise of Don’t Blink may be parsed by its title alone, but this still doesn’t make one prepared for the unyielding scares conjured by writer-director James Ross. Completed with the aid of his MFA cohort at Florida State University, Ross’ film takes place during the witching hour in an otherwise quaint suburban enclave.  Travis (Samuel Isaiah Hunter) is eager to spend the night with his date Reese (Tamara French) at her spacious pad. The only demand the beautiful woman makes is that Travis must take a pill to ensure that he sleeps through the night. Though he agrees, […]

The post “Totally Smooth Productions Are a Myth”: James Ross on His Student Short Film Showcase Winner Don’t Blink first appeared on Filmmaker Magazine.

We rarely get to hear Joel Potrykus talk about himself as an actor. The independent filmmaker of such beloved low-budget treasures as Ape, Buzzard, and Relaxer says he has, in fact, never talked about it. In his latest, Vulcanizadora, he once again co-stars with the man he loves to point his camera at, Joshua Burge. The two reprise their roles of Derek and Marty exactly ten years after they birthed those characters in Buzzard. On this episode, Potrykus explains the decision to take on the role in both films, why he loves working with the “machine” that is Burge, the […]

The post “Slow Cinema Meets Heavy Metal is Kind of Like My Goal in Life”: Joel Potrykus, Back To One, Episode 340 first appeared on Filmmaker Magazine.

With Joshua Erkman’s eerie horror/thriller, A Desert, which centers around a photographer lost in a Southwestern desert while on an expedition to photograph its abandoned movie theaters, in theaters now, the director presents here six inspirational photographs he shot on his own early research trip to the film’s locations. — Editor The original seed of A Desert was the photographer character, Alex Clark. I’ve long been obsessed with photography, and before movies took ahold and bent my brain, I had aspirations of being a photographer. Before I even had an idea of what A Desert was going to be about, […]

The post Six Derelict Movie Theaters That Inspired Joshua Erkman’s Horror Thriller, A Desert first appeared on Filmmaker Magazine.

In 2021, we profiled Frederic Da as part of that year’s 25 New Faces of Independent Film on the strength of his debut feature, Teenage Emotions. This May, Da will premiere his sophomore follow-up, isaiah’s phone, at the Mammoth Lakes Film Festival. We’re pleased to premiere the trailer for the film, whose festival synopsis is: “A socially awkward high school student films himself as he blunders through attempts to make friends, spiralling into a dark place where his only close relationship is with his phone.”

The post Trailer Watch: Frederic Da’s isaiah’s phone first appeared on Filmmaker Magazine.

Isaac Gale and Ryan Olson’s Swamp Dogg Gets His Pool Painted is a gonzo doc that perfectly reflects its trio of carpe diem stars — fun-loving musicians who reside in a bachelor pad in the hedonistic San Fernando Valley (aka the capital of porn). That Swamp Dogg, Guitar Shorty and Moogstar also happen to be in the AARP demographic (two of the three octogenarians) only adds to the unconventionality of it all. As does the filmmakers’s choice to forego the usual biopic route, which they clearly could have taken. The titular star, born with the far more staid name Jerry […]

The post “One of our Biggest Challenges Was Painting the Pool”: Isaac Gale on Swamp Dogg Gets His Pool Painted first appeared on Filmmaker Magazine.

Tatyana Tenenbaum’s Everything You Have Is Yours centers on NYC-based choreographer Hadar Ahuvia, specifically her coming to terms, through her chosen art form, with the colonialism and cultural appropriation that birthed the Israeli folk dances she was raised on in Hawaii (by way of Israel/Palestine) and which she still deeply loves. It’s a maddening conundrum that likewise could be applied to the Jewish state itself. As Ahuvia reflects towards the end of the intriguing doc, “Palestinians’ lives are at risk. And Israelis’ lives are at risk because Palestinians’ lives are at risk.” And while much of the film is focused […]

The post “The Film Asserts a Clear Political Analysis of Zionism, and Simultaneously Does So While Asserting That No Human Beings are Villains”: Tatyana Tenenbaum on Everything You Have Is Yours first appeared on Filmmaker Magazine.

Japan Society and Metrograph will co-present Mikio Naruse: The World Betrays Us, a 30-film retrospective devoted to Naruse, the “fourth great” master of Japanese cinema, from May 9th through June 29th. Co-organized with The Japan Foundation, New York, the two-part series will offer the first major New York survey of this signal studio-era filmmaker’s work in 20 years, presented in commemoration of the 120th anniversary of his birth and entirely on rare prints imported from collections and archives in Japan. Notable series highlights include all six of Naruse’s adaptations of celebrated feminist author Fumiko Hayashi’s work (Floating Clouds, Repast, Lightning, […]

The post Trailer Watch: “Mikio Naruse: The World Betrays Us” first appeared on Filmmaker Magazine.

“Some places on Earth carry a weight that is almost impossible to put into words” is how Zhanana Kurmasheva puts it in her director’s statement for We Live Here, which world-premiered at CPH:DOX and next screens in the World Showcase section at Hot Docs. Fortunately, Kurmasheva has a way with images that allows her to artistically convey both the gravity and eerie specificity of the Semipalatinsk Test Site. Set in the breathtaking Kazakh steppe, it’s an otherworldly place where the Soviets spent over four decades — until 1991 when Kazakhstan gained its independence — conducting a whopping 456 nuclear tests; […]

The post “Radiation Became a Presence—Almost Like a Mythical Force”: Zhanana Kurmasheva on We Live Here first appeared on Filmmaker Magazine.