“Absolutely Not a Genre Film”: Julia Ducournau in Conversation with Robert Eggers on Alpha
“To me it’s not really a shift,” French writer-director Julia Ducournau tells filmmaker Robert Eggers on the topic of Alpha, her third feature. “Though I completely understand why it might feel like one.” Indeed, fans of Ducournau’s previous films—her collegiate cannibal breakout Raw (2016) and Palme d’Or-winning body horror Titane (2021)—will undeniably view Alpha as a major departure. Though physical transformation is still integral to the narrative, Ducournau describes her most recent film as “a very grounded family drama.” Family is a major fascination for the filmmaker—from inheriting a taste for human flesh to birthing a man-machine hybrid—but never has […]
“I was never really into the occult before making this movie,” says Ian Tuason, writer-director of the new A24 horror film undertone. “After doing research, I started getting into it more. That manifested weird things into existence.” A demonic “found audio” film, undertone came about, in part, due to Tuason’s background as a pioneer of immersive 360-degree VR horror shorts. Continuity Problems (2009) and Close Up (2011) found major success on YouTube before screening at the Marché du Film’s NEXT Pavillion in Cannes. His follow-up, the 360-degree live-action breakthrough 3:00am, racked up 9 million viewers on YouTube. Maybe he wasn’t […]
Love is one of the most powerful forces in the universe. It’s been the subject of some of the best films ever made for good reason, as it’s something that can grab hold of not just your desires, but your very soul as you search for meaning in a life where it can otherwise be lacking. In American filmmaker Graham Parkes’ feature debut, Wishful Thinking, this is made literal as it paints a portrait of a couple, Lewis Pullman’s Charlie and Maya Hawke’s Julie, whose life in the beautifully-shot Portland, Oregon is about to be upended by the discovery that […]
A lo-fi sci-fi road trip film that reaffirms the magic of discordant personalities finding harmony, director Brian Tetsuro Ivie’s Anima is at once earthy and spiritual. It focuses on Beck (Sydney Chandler), who, on the first day of a new job, is assigned to accompany Paul (Takehiro Hira) to a facility for an end-of-life procedure. Paul has decided to upload his consciousness into a cloud system, which means that anyone who wishes can visit a digitized version of himself. What is thought to be a straightforward journey becomes an existential winding road, as Paul frequently diverts Beck from their course […]
Whether Doctor Frankenstein likes it or not, the zombie story has always belonged to women. Ever since teenaged political radical Mary Shelley (daughter of feminist pioneer Mary Wollstonecraft) poured her maternal anguish into the party game ghost story that eventually became Frankenstein, this cultural lodestar has come heavy with feminine, not to mention feminist, valences. Perhaps it’s no wonder, then, that when Elsa Lanchester rose from the dead in 1935, screaming her way off the slab and quickly back into the grave again in James Whale’s Bride of Frankenstein, she herself birthed countless generations of rictus rebel daughters in under […]
These are overwhelming times, and disappointment is everywhere. Wouldn’t it be nice to just get away from it all with a nifty procedure and an automated assistant to take care of things? Tempting as the fantasy sounds, Alex Prager’s sci-fi drama DreamQuil offers a counterpoint: how much humanity will we stand to lose in the pursuit of happiness? The more we give up our responsibilities and human messiness to A.I., the more we risk losing the very connections that mean the most to us. In Alex Prager’s feature debut, Carol (Elizabeth Banks) is stuck indoors with her doting husband (John […]
It only took 10 movies, but Paul Thomas Anderson is now, finally, an Oscar winner—a three-time winner in one night no less, with One Battle After Another picking up a total of six Academy Awards including best picture, director, supporting actor, adapted screenplay, editing, and casting. Anderson accepted the top prize with producer Sara Murphy. In his speech, Anderson invoked the five best picture nominees from 50 years ago: Barry Lyndon, Dog Day Afternoon, Jaws, Nashville, and One Flew Over the Cuckoo’s Nest. “There is no best among them,” said Anderson. “There is just what that mood might be that […]
For generations, Indigenous women in Mexico have understood the vast power of mushrooms—medicinal, culinary, spiritual, toxic. Their knowledge has been calibrated and passed down matrilineal channels, not unlike the mycelial network that connects individual mushrooms to one another underneath rich soil. In Daughters of the Forest, Mexican filmmaker Otilia Portillo Padua documents two specific women, Lis and Juli, who reside with their families in these verdant enclaves. While they both possess a wealth of ancestral knowledge about mushrooms, Lis and Juli hope to distinguish themselves within academia. But there is no tension between homeopathy and science here. Instead, the women […]
Rachel Mason’s gripping true crime doc My Brother’s Killer is, first and foremost, a love letter. My Brother’s Killer emerged, in part, from Rachel Mason’s previous documentary Circus of Books, named after her parents’ West Hollywood gay porn bookstore, where she grew up enamored by the men who frequented it. Her latest film is also an ode to West Hollywood’s famed yet notorious stretch of Santa Monica Boulevard of the 1990s. Moreover, it is a love letter to a VHS era; a magazine era; a video awards era (ushered in by the likes of Chi Chi LaRue); a cyberpunk era […]
Filmmaker is heading to the 40th edition of SXSW, where myself and several talented contributors will be on the ground filing interviews and dispatches from various corners of Austin’s city limits. This year’s lineup is massive—with 119 feature films alone—and we happily assume the daunting role of covering buzzy world premieres and hidden gems alike. Speaking of world premieres, there’s an expected emphasis on genre fare among this year’s crop. Irish low-budget maverick Damian McCarthy scales up with Hokum, a folk-tinged rental house horror that provokes chills through its trailer alone. This releases via Neon just two and a half […]