When it comes to streaming series, it’s better to have too little of a great show than too much. With a finite amount of time to work with before the events of Andor collide with their preordained conclusion in Rogue One, the Disney Plus prequel series opted not to spin its wheels for a superfluous three or four extra seasons like so many shows that lurch onward past what should be their expiration date. The second and final season of Andor picks up a year after season one, with each three-episode block then jumping another year into the future as […]

The post Space in 40mm: DP Christophe Nuyens on Andor Season Two first appeared on Filmmaker Magazine.

Kudos to Anonymous Content and Fremantle for putting together a project focused on the most wholesome of beauty pageants and thinking, “We need the director of Hail, Satan? for this!” Indeed, while the idea might seem absurd on its surface, it’s no more so than the notion of married women from 18 to 80 (and up) going toe to toe (or heel to heel) in evening gowns and swimsuits, sacrificing precious time and exorbitant amounts of money for the chance to wear the Mrs. America crown. And veteran filmmaker Penny Lane, whose 2023 doc Confessions of a Good Samaritan followed […]

The post “So Many Sequins!”: Penny Lane on Her Tribeca-Debuting Docuseries Mrs. America first appeared on Filmmaker Magazine.

Ole Juncker’s Tribeca-premiering Take the Money and Run follows Jens Haaning, a Danish conceptual artist to whom the Kunsten Museum of Modern Art Aalborg loaned $83,000 — money that was to be tangibly incorporated into a specific commission for their 2021 group exhibition centered on the future of working life. (Which was not so creatively titled “Work it out.”) Unfortunately for the museum, Haaning decided to incorporate the dollars into his own personal life instead, though he did deliver a piece called Take the Money and Run — a pair of empty frames — along with an email explaining the […]

The post “It Became More a Story About How the Artwork, and All the Commotion Around It, Affected His Mental Health”: Ole Juncker on His Tribeca-Debuting Take the Money and Run first appeared on Filmmaker Magazine.

In a contemporary take on Werner Herzog’s The Enigma of Kaspar Hauser (1974), The Wolf, the Fox, and the Leopard depicts a woman who lives amongst wolves being whisked away and plunged into human society. Director David Verbeek presents this jarring story as a kind of apocalyptic fairytale, in which a feral woman learns what it means to be human while humanity itself is bracing for the end of the world as they know it. Mostly set on a repurposed offshore oil rig, the film explores how the interests of men and nature inevitably clash in the face of impending […]

The post “The Best is Always Zero Budget”: David Verbeek on Tribeca 2025 Premiere The Wolf, the Fox, and the Leopard first appeared on Filmmaker Magazine.

Although the heat has yet to properly arrive, today’s kickoff of the annual Tribeca Festival, now firmly ensconced in its post-Cannes calendar slot,  signals the unofficial start to the summer season among the New York City cinema-going sect. Running from June 4 through 15, the program this year boasts 118 feature films with an impressive 95 world premieres among them.  Even if the word “film” is no longer centered in the festival’s actual title, it certainly remains the concerted programming focus. Though there are also plenty of offerings in their TV, games, audio, interactive and Tribeca X sections—the latter of […]

The post Our 16 Most Anticipated Films of the 2025 Tribeca Festival first appeared on Filmmaker Magazine.

Metrograph, the New York repertory and first-run cinema, announces today the hiring of Edo Choi as Film Programmer. Choi was most recently the Associate Curator of Film at the Museum of the Moving Image and begins at Metrograph immediately. A New York-based film programmer, projectionist, and critic, between 2014 and 2019 Choi worked as a projectionist and then programmer for the Maysles Documentary Center. From late 2019 to early 2025, he was the Assistant—later Associate—Curator of Film at the Museum of the Moving Image, as well as the Senior Programmer of the Museum’s annual festival First Look, which celebrated its […]

The post Metrograph Announces Edo Choi as Film Programmer first appeared on Filmmaker Magazine.

The legendary Ian McShane has been acting for more than 60 years, from The Wild and The Willing, The Last of Shelia, and Jesus of Nazareth to Lovejoy, Sexy Beast, and the John Wick films. His two latest films are Ballerina, set in the John Wick universe, and and the action comedy Deep Cover. On this episode he talks about what made his time as Al Swearengen on Deadwood (perhaps his most iconic role) so special, and tells a story about an unforgettable suggestion from creator David Milch. He explains what sets Wick’s Chad Stahalski apart as a director/producer, why […]

The post “It Was Like Being on a Cliff and You Just Leapt Off It, with Whatever You Had to Give”: Ian McShane, Back To One, Episode 344 first appeared on Filmmaker Magazine.

Netflix’s limited series Adolescence picked up three prizes at the second annual Gotham TV Awards, held on June 2 at Cipriani Wall Street in New York City. Among those awards were breakthrough limited series, lead performance in a limited series (Stephen Graham), and supporting performance in a limited series (Owen Cooper). Accepting the top prize, actor and co-creator Graham expressed surprise that Adolescence has already become a worldwide phenomenon. “We’re overwhelmed for you to embrace us the way you have … . This was a small colloquial piece that was made with love, respect, humility and dignity, and we treated […]

The post Adolescence Sweeps 2nd Annual Gotham TV Awards first appeared on Filmmaker Magazine.

Mascha Schilinski’s Sound of Falling was so rapturously acclaimed upon its premiere on the first full day of Cannes 2025 that some thought they’d already seen a possible Palme d’Or winner. In the end, her film shared the Jury Prize with another adored Competition title, Sirât, whose end-times death-trip might seem to overshadow the ordinary-sounding logline for Sound of Falling: four generations of girls on a farm in Germany. But this film swiftly establishes itself as an equally virtuosic secret history and sustained experiment in female subjectivity in kaleidoscopic form, drawing on scenes and notes from journals and voices from […]

The post “‘History’ with a Capital ‘H’”: Mascha Schilinski on Cannes 2025 Award-Winner Sound of Falling first appeared on Filmmaker Magazine.

In A24’s Bring Her Back, a grieving mother (Sally Hawkins) takes a pair of orphaned siblings into her secluded home with nefarious anterior motives.  It’s another slice of southern Australian horror steeped in trauma and grief from Talk to Me twins Mark and Danny Philippou, infused with ample gore and unsettling dental carnage. The brothers’ sophomore directorial effort reteams them with Talk to Me cinematographer Aaron McLisky, who spoke to Filmmaker about their latest venture on the eve of its theatrical release. Filmmaker: I saw Talk to Me in the theater when it came out and loved it, but I didn’t know anything about […]

The post Practical Magic: DP Aaron McLisky on Bring Her Back first appeared on Filmmaker Magazine.