The Passion of Amir Naderi

An older Iranian man stands in the middle in a row of red seat at a movie theater. He wears a black t-shirt, blue denim jacket and black beanie.Amir Naderi is on the move. I connected with the Iranian filmmaker over WhatsApp on a chilly February morning, or at least morning where I am. He’s calling me from Rome, which is the second stop on his tour through Europe teaching classes on filmmaking. In every country he visits, he tells me, he shapes the curriculum around that nation’s cinema history. It’s a pedagogical approach that aptly reflects the cosmopolitanism of a filmmaker who has shot films in the United States, Japan, and Italy, and who hopes to potentially make a film in Australia. “If I can do it,” […]

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Review: The New Nikon ZR Shoots RED RAW Footage on a Budget

A camera monitor records a woman on stage, wearing mustard pants and a black shirt, giving a presentation. The screen behind her reads "I Said What I Said."One year after camera giants Nikon and RED Digital Cinema merged, their first collaboration comes with the release of the Nikon ZR full-frame digital cinema camera. The ZR differentiates itself from its mirrorless competitors—whether Panasonic’s LUMIX line, Sony’s FX line or Blackmagic cinema cameras—with its unique ability to record 12-bit REDCODE RAW (R3D NE), internally at up to 6K and 60 frames per second. And it’s available at the enviable price point of only $2,199. (By comparison, Sony’s full-frame FX3 costs nearly twice as much.) Surveying the camera body, its large 4-inch screen immediately stands out. The addition of an […]

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“I Really Wanted to Create a Chekhovian World”: Kornél Mundruczó on the Amy Adams-starring Berlinale Competition Film At the Sea

A woman lies on her back in clear blue water, her red hair forms a halo around her head. Her bright blue eyes look straight above her.Drumroll: Amy Adams stares at you. It’s intense—not haunting, but certainly not inviting. The camera pulls away, and it’s her character Laura who’s playing the drums. It’s daytime, there’s unremarkable company around. Music, no dance. Soon, she will leave the facility. Soon, she will return to her Cape Cod home, to her devoted yet frustrated husband Martin (Murray Bartlett), to her barely tolerant teenage daughter Josie (Chloe East), to her young son Felix (Redding Munsell) who scurries away from her embrace, to her dance company that made her famous but which she now wants to quit, and to the forbidden […]

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How I Brainstorm Hit Film Ideas with AI

Michael, a former strategist at MrBeast and a sci-fi author, breaks down the art of ideation and market analysis for the new era of AI filmmaking. The core message is that “the idea is the ceiling”; no matter how good the production, a story’s potential is capped by its premise. The speaker argues that AI has democratized filmmaking by lowering costs, allowing creators to bypass Hollywood gatekeepers and focus entirely on what viewers want. RSVP to future How to Make Your Movie Popcorn-Worthy Workshops here: https://luma.com/3zlbc0xx Join the beta of the Creatorwood platform: https://creatorwood.tv/ Read the Creatorwood book, all about building a movie business with AI, for free: https://www.blog.creatorwood.tv/subscribe Join the Creatorwood Discord: https://discord.gg/tTmWv23C9q Join the Six-Figure Film Accelerator: https://learn.creatorwood.tv/ EPISODE CHAPTERS: 00:00 From Passion to Premise: How to Think About Story Ideas 00:59 Why the Premise Is the Ceiling (Lessons from MrBeast) 03:50 AI Filmmaking Changes the Economics—So Viewers Matter More Than Gatekeepers 05:52 Market Analysis 101: Find What People Already Watch & Read 10:29 Turn Research into a Genre Style Sheet + Format Rule Sheet 13:39 Find Your “Story Gap”: The Unmet Need in the Market 22:19 Bake Virality In: Awe as the Engine of Shareable Stories 29:44 Write for Film by Launching Fast: Episodic Testing & Iteration 33:54 Live Workshop Setup: Collecting Ideas and Picking Susan’s Sci‑Fi Thriller 36:11 AI Writing Workflow: Model Choice Over Prompting (Why Claude) 38:38 Starting the Market Study Prompt for Susan’s Alien-Spy Concept 39:44 Rapid Market Research: Defining the Sci‑Fi Spy Thriller Lane 40:46 Why Amazon.com for Book Data (and How to Search Genres) 41:58 Building a Comp List: Opening Tabs, Skipping Weak Fits, Choosing a Slant 43:39 Expanding the Dataset: Alien Sci‑Fi Thrillers & Avoiding Romance Mismatch 45:01 Film Comps via Google/IMDb: Picking Inception & Arrival 46:59 Feeding Claude: Prompting a Genre Style Sheet from Reviews 50:13 Quality Control: Rankings, Reviews, and Curating What You Learn From 54:24 Context Windows & Efficient Sampling (Why 5–10 Titles Is Enough) 58:52 Reading the Style Sheet: Tropes, Archetypes, Settings, and Plot Rules 01:03:00 From Style Sheet to Series Pitch: Episodic Format + Cliffhangers 01:06:14 Claude’s Generated Concept: Logline, Protagonist, and Core Hook 01:08:42 Q&A: Making Existing Stories More Marketable + Adapting Prose for AI Film 01:13:37 Wrap-Up: Next Week’s Workshop on Characters & Final Links ABOUT MICHAEL: He has published 12 sci-fi novels, helped authors make $1 million+/year in memberships, and even worked on the Strategy Team for MrBeast. ABOUT CREATORWOOD: Creatorwood is the home for storytellers to turn their writing into films, discover new viewers, and run a film business. The Movie Machine by Creatorwood integrates with the top AI video, image, audio, and storytelling models to help transform your writing into immersive worlds, incredible characters, and gripping films with significantly less time and cost. Creatorwood also makes it easy to make money from your films inside our Streaming Platform. Specifically, Creatorwood allows you to upload your episodes, set them as free or paid (any price you’d like). Creators keep 80% of the revenue they earn on Creatorwood,

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5 Steps to Write a Viral Vertical Film

Micro dramas are a $10B industry—but most lose money because the story misses the mark. In this episode, Michael Evans (CEO of Creatorwood) reveals how to write viral vertical films that hook viewers in 90 seconds and keep them paying. Learn the three hidden rules of vertical storytelling, how to structure addictive episodes, craft powerful cliffhangers, and validate your concept before producing a full season. If you want to build a business with AI-powered micro dramas, this is your roadmap.

Join the beta of the Creatorwood platform: https://creatorwood.tv/ Read the Creatorwood book, all about building a movie business with AI, for free: https://www.blog.creatorwood.tv/subscribe Join the Creatorwood Discord: https://discord.gg/tTmWv23C9q Join the Six-Figure Film Accelerator: https://learn.creatorwood.tv/ RESOURCES MENTIONED: Read How to Write a Vertical Series in 10 Days: https://www.amazon.com/How-Write-Vertical-Days-Storytelling-ebook/dp/B0G2N4SQKG EPISODE CHAPTERS: 00:00 Introduction to Micro Dramas 00:33 The Problem with Micro Dramas 01:21 About the Speaker: Michael Evans 03:08 Three Rules for Vertical Storytelling 08:17 Step 1: Creating a Marketable Concept 12:39 Step 2: Outlining Your Vertical Film 15:37 Step 3: Writing the First 10 Episodes 18:35 Step 4: Making a Pilot and Validating 19:35 Tips for Writing Vertical Episodes 22:16 Conclusion and Next Steps ABOUT MICHAEL: He has published 12 sci-fi novels, helped authors make $1 million+/year in memberships, and even worked on the Strategy Team for MrBeast. ABOUT CREATORWOOD: Creatorwood is the home for storytellers to turn their writing into films, discover new viewers, and run a film business. The Movie Machine by Creatorwood integrates with the top AI video, image, audio, and storytelling models to help transform your writing into immersive worlds, incredible characters, and gripping films with significantly less time and cost. Creatorwood also makes it easy to make money from your films inside our Streaming Platform. Specifically, Creatorwood allows you to upload your episodes, set them as free or paid (any price you’d like). Creators keep 80% of the revenue they earn on Creatorwood, and we pay out to creators in 130+ countries and accept payments from viewers globally. You can join Creatorwood here: https://creatorwood.tv/

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“The Underbelly of Lagos”: Olive Nwosu on Lady

A Nigerian woman in a blue blouse puts her hand atop her cropped hair and drives a red taxi. A few women are seated in the back.Lady, the titular lead of Olive Nwosu’s neo-noir feature debut about a taxi driver’s gradual solidarity with a group of Lagosian sex workers, possesses a piercing gaze. She’s not scanning you as much as she is preemptively fending you off. In her red taxi she stalks the nocturnal streets of the largest city in Nigeria, very much her own person, the only lady cab driver in a city on the verge of revolution around eradicating gasoline subsidies. Played with fiery commitment by Jessica Gabriel’s Ujah, Lady doesn’t even necessarily care that she’s a “woman in a man’s world,” or if […]

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“What Does a Thing Provide You With?”: Amanda Kramer on the Props and Interiors in By Design

A woman wearing a gray mesh long sleeve, a plaid knee-length skirt, sheer gray knee-high socks and mismatched shoes lays her head on her bed while the rest of her body lies on the floor. She is surrounded by shoes, which are scattered all over the pink carpet.“I have never seen the problem with fetishizing objects and fetishizing people as though they were objects,” director Amanda Kramer tells me in a conversation ahead of the release of her latest film, By Design. “It doesn’t mean we don’t also see the person for their soul…They elicit romance. They elicit seduction. There’s something drawing you in, compelling, alluring, and the object itself is not necessarily lesser-than because it’s looked at in this way.”  Kramer’s provocative theory is instructive. Her latest film, By Design, about a lonely woman named Camille (Juliette Lewis) who swaps bodies with a beautiful chair and […]

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The Indie Spirits Flip the Oscar Script

A rugged man wearing dingy early 19th century garb stands in front of wooden train tracks.In a big studio-backed awards season, it’s rare to see much overlap between the Film Independent Spirit Awards and the Oscars. A west coast cousin of sorts to the Gotham Awards, the Indie Spirits often celebrate the movies that the Academy skipped over with its nominations. The ceremony itself is also more fun (there’s some day-drinking involved) than the more staid guild awards that dot the homestretch ahead of the similarly serious Academy Awards.  Having said that, the Indie Spirits still matter quite a bit to campaign strategists and the people who employ them. They take place in the heart […]

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“I Feel Like It’s Very Sacred, What Happens Between the Camera and You”: Samantha Smart, Back To One, Episode 380

Headshot of actress Samantha Smart, who has long brown hair and leans her head against her hand.Samantha Smart is the lead actress, writer and producer of Charliebird, the feature debut of director Libby Ewing, which won the top prize at the 2025 Tribeca Festival, calling it “a deeply affecting portrait featuring grounded and complex performances.” On this episode, Smart describes the process of writing it, getting to a crisis point of wondering if she could still play the character she was creating for herself, and miraculously finding young Gabriela Ochoa Perez who skillfully plays Charlie. She details the fine-tuning that needed to happen with the central scene, how the camera operator’s energy affects actors, talks about her […]

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Nirvanna the Band the Show the Movie’s Matt Johnson Shares His Secret to a Good Life

A man wearing a beige blazer, fedora and button-up clutches an orange extension cord and raises it in the air. He makes a shocked facial expression.Matt Johnson is the center of attention wherever he goes. He’s especially popular in his hometown of Toronto, where his advocacy for young Canadian filmmakers and warm, self-referential humor have made him one of the city’s most favored sons. Mayor Olivia Chow was in attendance when Johnson and his co-star/co-writer Jay McCarrol brought their film Nirvanna the Band the Show the Movie back to Toronto for a TIFF Midnight Madness screening that Jonson calls “one of the foundational moments of my adult life.”  After years of attending the festival, he “wanted so badly to share that same kind of joy […]

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