True False Film Festival, nestled in college town Columbia, MO, is a festival for documentarians and people who love documentaries—which is a lot of people in that part of the world, it turns out. Boosting the intellectual substance is a pre-filmfest conference, “Based on a True Story,” at the renowned journalism school at University of Missouri. Rounding out the cultural experience, buskers come from throughout the Midwest to play before shows, and every business with a corner of space turns into an art gallery. And then there’s a Mardi Gras-style party and parade to complete the community atmosphere. It’s an […]

The post Dreams, Memory, Resistance: True/False 2025 first appeared on Filmmaker Magazine.

The celebrated period drama Belle marked the arrival of Gugu Mbatha-Raw and since then she hasn’t stopped impressing audiences in films like Motherless Brooklyn, Misbehaviour and series like Doctor Who, Black Mirror (San Junipero episode), Loki, The Morning Show, and Surface, which is now releasing episodes from its second season. On that Apple TV+ series, Gugu plays Sophie, a woman who has lost her recent memories and must piece them together. She talks about the “liberating” feeling she got playing someone with a missing back story and how it forced her to be present. She explains how she utilizes her […]

The post “To Be Able To Play a Flawed, Complex, Messy Woman Who Os Morally Ambiguous …That To Me Is the Juicy Stuff.” Gugu Mbatha-Raw, Back To One, Episode 332 first appeared on Filmmaker Magazine.

Because I had loved so deeply,  Because I had loved so long,  God in His great compassion  Gave me the gift of song.  Because I have loved so vainly,  And sung with such faltering breath,  The Master in infinite mercy  Offers the boon of Death. — “Compensation” (1906) by Paul Laurence Dunbar Zeinabu irene Davis’s Compensation (1999) tells dual stories of pairs of lovers (both played by Michelle A. Banks and John Earl Jelks) at the beginning and end of the 20th century. The film is uniquely attuned to deaf culture, American prejudice and two distinct pandemics. Creative in her […]

The post “It Took 31 Years”: Zeinabu irene Davis on Compensation first appeared on Filmmaker Magazine.

Barbie Pig, Gummy Squirrel, Psychedelic Elvis Worm. These are not quirky colloquialisms for party drugs or Trolli candies, but rather taxonomic shorthand for deep sea creatures. For her debut documentary feature, director Eleanor Mortimer boarded a research vessel for an extended two-month expedition in the deep Pacific and encountered these alluring and alien animals firsthand. How Deep Is Your Love chronicles the work undertaken by taxonomists, who are slowly trying to identify the estimated 1.75 million undiscovered ocean species. Already a herculean task, the looming likelihood of rampant commercial deep sea mining—which intends to extract precious minerals like cobalt, nickel […]

The post “The Link Between Exploration and Exploitation”: Eleanor Mortimer on How Deep Is Your Love first appeared on Filmmaker Magazine.

Interweaving home movies, intimate phone calls, previous art school projects and deeply moving footage shot over an intense seven-month timeframe, A Want in Her documents increasing tumult within the filmmaker’s immediate family. The documentary may be the feature debut of moving-image artist Myrid Carten, but the inclusion of charming mini-DV footage shot by the director in her youth proves that, in many ways, she’s been a personal storyteller her whole life. (Even if the early ‘00s footage is more interested in parodying America’s Next Top Model than capturing the cracks already materializing in her family’s foundation). The film opens by […]

The post “I Put 30 Years of My Life Into 80 Minutes”: Myrid Carten on Her True/False Documentary, A Want in Her first appeared on Filmmaker Magazine.

The forthcoming edition of the annual Rendez-Vous with French Cinema series, taking place this year at Film at Lincoln Center, will be the 30th anniversary of the series. The lineup this year includes two underrated films from last year’s Cannes, Patricia Mazuy’s Visiting Hours and the late Sophie Fillières’ final film, This Life of Mine. Watch the trailer above for the series, which will take place from March 6 to 16.

The post Trailer Watch: Rendez-Vous with French Cinema 2025 first appeared on Filmmaker Magazine.

Following its premiere in Venice’s 2019 Biennale College Cinema section and North American launch at Sundance 2020, Lemohang Mosese’s This Is Not a Burial, It’s a Resurrection became a noteworthy arthouse success, scoring wide international distribution and eventually gaining a place in the Criterion Collection. Now six years later, Mosese has premiered his follow-up feature Ancestral Visions of the Future, shifting to a poetic, hybrid documentary form while retaining his previous work’s expressive tempo and eye-searingly colourful outdoor cinematography.  Whilst Burial was concerned with the maintenance of longterm dynastic communities in Lesotho, the landlocked country of his birth fully enclosed […]

The post “I Feel Like the World is Literally on Fire”: Lemohang Mosese on Berlinale 2025 Premiere Ancestral Visions of the Future first appeared on Filmmaker Magazine.

Angelo Madsen’s A Body to Live In is a doc as unconventional in form as its leading man. Comprised of various formats (16mm, VHS, archival, 2K) overlaid with underground voices (Annie Sprinkle and Ron Athey are probably the best known), the film takes us on a winding journey through the life and philosophy of photographer-performance artist-ritualist Fakir Musafar, one of the founders of the modern primitive movement. With the archival Musafar (born Roland Loomis in 1930) as our guide we’re introduced to an unheralded slice of LGBTQ+ history that includes gay BDSM parties, the first piercing shop, body modification as […]

The post “Maybe an Individual is Only as Interesting as the Energy Surrounding Them”: Angelo Madsen on His True/False-debuting A Body to Live In first appeared on Filmmaker Magazine.

Stowe Story Labs is awarding their inaugural $50,000 Short Film Production Grant to Ali Imran Zaidi for The Boy with the Dinosaur Head, a story about a first-grade foster child whose teacher is “trying to help him out of his shell after a localized extinction level event.” Zaidi is a Black List Feature Writers Lab alum, and an inaugural fellow in Riz Ahmed’s Pillars Fund Artist Fellowship for Muslim Creators supported by Amazon, Disney and Netflix.  He is currently developing a TV series with Ley Line Entertainment. Zaidi’s short will be directed by Imran J. Khan, whose debut coming-of-age feature, […]

The post Stowe Story Labs Awards $50,000 Short Film Production Grant to Ali Imran Zaidi for The Boy with the Dinosaur Head first appeared on Filmmaker Magazine.

Caveh Zahedi is one of the most influential independent filmmakers of our time. Jay Duplass, Lena Dunham, Richard Linklater, Greta Gerwig are all big fans of his 30+ years worth of ultra-autobiographical work (five features, I am A Sex Addict perhaps being the most popular). His magnum opus, The Show About The Show, started out as a “self-reflexive TV show about its own making” for BRIC TV and has continued despite lawsuits, loss of distribution, re-castings, and many more obstacles, thanks to Zahedi’s dogged determination to simply tell the story, mostly through re-enactments using the actual people in his orbit […]

The post “It’s About Self Exposure and Allowing Someone to See” Caveh Zahedi, Back To One, Episode 332 first appeared on Filmmaker Magazine.