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The post Filmmaker Black Friday Sale, 40% Off All Subscriptions first appeared on Filmmaker Magazine.

Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. Last March, in the week leading up to the 96th Academy Awards ceremony, I received an invitation from BBC News to chat about Bradley Cooper. An interview with him had recently gone viral for a clip where Cooper teared up while speaking of Leonard Bernstein, whom he played in Maestro. (He earned three Oscar nominations for that film—best picture, actor and original screenplay—but was passed over for his direction). In a brief phone call with […]

The post Considerations: Holding Space for Sing Sing first appeared on Filmmaker Magazine.

Around sixteen years ago, the late great Filipino film critic Alexis Tioseco saw Antoinette Jadaone’s student short films ‘plano (2005) and Saling Pusa (2006) and began championing her work. In the words of critic Oggs Cruz, Tioseco thought Jadaone was “the person that is most qualified to give Filipino mainstream filmmaking that much-needed burst of novel inspiration,” given that her “shorts are all tightly packaged confections that marry the popular appeal of mainstream escapist entertainment and the unique wit of more adventurous fare.” Two years after Tioseco’s death, Jadaone made her feature debut—a love letter to and critique of Filipino […]

The post “The Abortion Ban May Be Protecting the Unborn, But It’s Killing Our Women”: Antoinette Jadaone on Sunshine first appeared on Filmmaker Magazine.

I’m peering into a small pool of water held in a shallow, roughhewn clay bowl suspended from a bar held aloft by two ladders, and I see moving images of a child’s face, hands, a woman, flowers, the blue of cyanotype, a strawberry. And then a drop of water disrupts the image with a sudden wave of concentric circles, and I am brought out of the image to the water’s surface, to a second layer of experience, realizing in a kind of minor epiphany all the effort I’m expending to see one thing while ignoring all the rest. Looking again, […]

The post The Intersection of IRL and the Digital: In Media Res: Expanded at the Torrance Art Museum first appeared on Filmmaker Magazine.

The following is an edited transcript of the panel discussion “Permission to Narrate: Narrative Sovereignty in Documentary,” which followed a September 13 screening of No Other Land at the Camden International Film Festival. Moderated by Suhad Babaa (executive director, JustVision), the conversation featured CIFF programmer Zaina Bseiso, filmmaker and 4th World Media Lab founder Tracy Rector, and Jess Devaney (founder and president, Multitude Films). Using the film and Edward Said’s concept of “permission to narrate” as a starting point, the panelists explore the challenges of solidarity and co-authorship in the context of dominant Western media narratives that often fail to […]

The post Permission to Narrate: Narrative Sovereignty in Documentary first appeared on Filmmaker Magazine.

Based on the novel by Juan Rulfo, a key work in Mexican literature, Rodrigo Prieto’s Pedro Páramo follows several characters across decades as they search for answers to their lives. The story unfolds in arid villages and lush haciendas, against a backdrop of feudal aristocracy and a powerful Catholic church. First seen at a crossroads in a desolate landscape, Juan Preciado (Tenoch Huerta) sets out to keep a promise to reconnect with his estranged father Pedro Páramo (Manuel Garcia-Rulfo). In his journey Juan encounters others who have dealt with his father: criminals, priests, the deaf and blind, and above all, […]

The post “I Thought Maybe Directors Have This Magical Thing Where They Can Judge a Performance”: DP Rodrigo Prieto on his Directorial Debut, Pedro Páramo first appeared on Filmmaker Magazine.

This year’s IDFA (November 14-24) starred Polish filmmaker Maciej J. Drygas’s Trains, a cinematic ride through 20th century industrial revolution-propelled European history via a trove of archival found footage; it unanimously nabbed Best Film in the International Competition. And while the doc is undoubtedly a tour de force of editing and sound design (unsurprisingly, it also took Best Editing in the International Competition), not to mention hypnotically reminiscent of the work of Bill Morrison, it was actually the other B&W archival-heavy film in that section that I just couldn’t shake. Dutch director Luuk Bouwman’s The Propagandist (which did receive the IDFA Award for […]

The post IDFA 2024: Winners and Winners first appeared on Filmmaker Magazine.

In this time of the year when traditions give us a sense of comfort and repetition that we need, especially in these volatile days, Back To One has a tradition of its own—the annual Kevin Corrigan episode! The patron saint of the indie film actor was the first guest on this podcast and he has returned every year since, telling hilarious stories from his adventures in the acting world, waxing about Brando, Walken, Scorsese, expounding on music, philosophizing about life in general. These episodes have become listener favorites. In this installment, Corrigan talks about shooting a scene recently where his […]

The post “All That Exists is the Illusion that We’re Creating in this Frame.” The Seventh Annual Kevin Corrigan Episode first appeared on Filmmaker Magazine.

Filmmaker Rachel Elizabeth Seed’s photographer mother Sheila Turner Seed died when she was just 18 months old, before specific memories could take hold — an absence that structures doc producer-turned-director Seed’s True/False, Hot Docs and DOC NYC-playing A Photographic Memory, which I caught at the Woodstock Film Festival. From the outset, the documentary is an archive-based biographical detective movie of sorts, following Seed over the years in which she learns about her mother by reconstructing the biography of her professional life. This work includes not only her own photography but a 1970s interview series, Images of Man, she produced with […]

The post “I Became Obsessed with the Idea that All Great Art Contains the Life Force of the Artist…”: Director Rachel Elizabeth Seed on A Photographic Memory first appeared on Filmmaker Magazine.

Filmmaker Rachel Seed’s photographer mother Sheila Turner Seed died when she was just 18 months old, before specific memories could take hold — an absence that structures doc producer-turned-director Seed’s True/False, Hot Docs and DOC NYC-playing A Photographic Memory, which I caught at the Woodstock Film Festival. From the outset, the documentary is an archive-based biographical detective movie of sorts, following Seed over the years in which she learns about her mother by reconstructing the biography of her professional life. This work includes not only her own photography but a 1970s interview series, Images of Man, she produced with Cornell […]

The post “I Became Obsessed with the Idea that All Great Art Contains the Life Force of the Artist…”: Director Rachel Seed on A Photographic Memory first appeared on Filmmaker Magazine.