Real world inspirations and dark web folklore converge in Red Rooms, the third feature from Quebecois filmmaker Pascal Plante that has conjured much buzz since its U.S. theatrical release last month. Named after the fabled sinister backdrop of covertly circulated online snuff videos, the film dissects our culture’s obsession with gorey details. As the first day of a shocking murder trial unfolds in a Montreal courthouse, the devilishly striking Kelly-Anne (Juliette Gariépy) is first in line to snag one of a handful of seats available to the public. The man on trial, bald and lanky Ludovic Chevalier (Maxwell McCabe-Lokos), is […]

The post “There Is a Bombardment of Violent Images in Our Lives”: Director Pascal Plante on His High-Tech Serial Killer Drama Red Rooms first appeared on Filmmaker Magazine.

Today, the International Documentary Association (IDA) announced the recipients who will receive honorary awards on December 5, 2024, at the 40th annual IDA Documentary Awards. The show will be held at the Orpheum Theater in Los Angeles and will be live-streamed on the IDA’s social media. From the press release: International Documentary Association (IDA) announced the honorary awards to be presented at the 40th annual IDA Documentary Awards, which will be held on December 5, 2024, at the Orpheum Theater in Los Angeles. The show will be streamed live on IDA’s social media channels. At this year’s ceremony, American documentary filmmaker Dawn […]

The post IDA Honors Dawn Porter, Shiori Ito and No Other Land Directors Basel Adra, Hamdan Ballal, Rachel Szor and Yuval Abraham first appeared on Filmmaker Magazine.

Michael Urie is one of those mega-talented actors who seems to jump effortlessly from theater (like Torch Song, Spamalot, and, currently, the revival of Once Upon A Mattress) to television (like Ugly Betty, Younger, and, currently, Shrinking), with a genuine love for both. On this episode, he talks in-depth about his acting process with a humility and a humor that is infectious. He explains why he decided to always be off-book on day one, how he came to believe in himself as an actor after starting out wanting to be a director, tells an interesting story about the temptation to […]

The post “You Really Have To Let Go and Trust That Something Funny Will Happen”: Michael Urie, Back To One, Episode 312 first appeared on Filmmaker Magazine.

Given the jittery churn of U.S. election year media in a late-capitalist death spiral, it can help to look elsewhere for a parallel perspective on the rise of illiberal authoritarians and a mass public siege on the seat of national governance, a la the Jan. 6 insurrection, amid their downfall. If nothing else, what has happened in Brazil over the past several years offers a startling, even unreal reflection of post-MAGA America, with the presidency of right-wing blowhard and Trump wanna-be Jair Bolsonaro ascendent amid a corruption scandal that sent his competitor, leftist Workers Party candidate and former president Luiz […]

The post Proud Boys, Bears and BDSM: Camden International Film Festival 2024 first appeared on Filmmaker Magazine.

As someone who finds the feature film a more or less moribund form at the moment, the only real draw for returning to TIFF after five years away was the Wavelengths program. It’s ridiculous, of course, to think that three group shows of shorts could summarize the activity of any corner of the film world, but programmers Andréa Picard and Jesse Cumming have managed—year after year and despite all manner of institutional obstacles—to present clear enough visions of the state of post-avant garde small gauge and video work that I’ll always be curious to see what they think is going […]

The post TIFF 2024: Wavelengths first appeared on Filmmaker Magazine.

It seems strange to call a $100-plus million dollar Brad Pitt and George Clooney movie a return to a director’s roots, but in a way that’s exactly what Wolfs is for Jon Watts. Like his breakthrough feature Cop Car—a spartan and sinewy 2015 neo-noir made for $800,000 that impressed Marvel enough to land Watts a trio of entertaining Spider-Man movies—Wolfs is a lean, propulsive story that unfolds in a single day with no use for superfluous exposition. Clooney and Pitt star as lone wolf fixers who reluctantly team up when a tough-on-crime district attorney (Amy Ryan) ends up with a […]

The post “Day Car Work on Stage is Really Tough”: DP Larkin Seiple on Wolfs first appeared on Filmmaker Magazine.

If San Sebastian Film Festival director José Luis Rebordinos ever wanted to choose a poster child for how the new voices of today can become the established veterans of tomorrow, he could do a lot worse than Pedro Almodóvar, whose debut Pepi, Luci, Bom and Other Girls Like Mom played at the festival back in 1980. At this year’s 72nd edition, during which Almodóvar turned 75, he was back in the northern Spanish coastal city to receive a lifetime Donostia Award and show his latest film, The Room Next Door. At the award ceremony, Almodóvar was given the prize by […]

The post Illness and Empathy: San Sebastian Film Festival 2024 first appeared on Filmmaker Magazine.

It would be easy to call 1979 a red letter Cannes for New Hollywood: Apocalypse Now got Francis Ford Coppola his second Palme d’Or (split with Volker Schlöndorff for The Tin Drum), Terrence Malick received Best Director for Days of Heaven. Outside of the spotlight of official competition, another American film playing in the International Critics’ Week walked away with the second ever Camera d’Or for best first feature. Directed by John Hanson and Rob Nilsson, Northern Lights returned the pair to their North Dakota roots by documenting 94 year-old Henry Martinson, a socialist organizer instrumental in the victory of […]

The post “North Dakota is Trump Country Today”: John Hanson and Rob Nilsson on the 4K Restoration of Northern Lights first appeared on Filmmaker Magazine.

Currently underway at the the Nitehawk Cinema in Prospect Park, “Portraits of Wild Things: The Films of John McNaughton” is a long overdue retrospective of the Chicago-based filmmaker of Henry: Portrait of a Serial Killer (1986). Like The Texas Chain Saw Massacre (1974), I’ve always felt that the most exploitative aspect of McNaughton’s film was its title—it sounds like something you shouldn’t take joy in watching even if you’re even depraved enough to seek it out in the first place. Critically praised upon its (much delayed) release, Henry provided McNaughton with a path to mainstream success, even as the filmmaker […]

The post Cap’n Crunch and the Serial Killer: John McNaughton on His Career first appeared on Filmmaker Magazine.

It’s that time of year again. Fall is setting in, with cooler temperatures and a flurry of exciting film and media events on the horizon. Chief among these is Gotham Week’s Project Market, the nation’s oldest and largest marketplace for film and TV creators, slated for September 30 to October 4. Mark your calendars and dive in below to learn more about some of the filmmakers joining us for a week focused on filmmaking, connecting and relationship-building. This issue, we’re highlighting the standout filmmakers and media creators of our first-ever Branded Storytelling Initiative. Amandla Baraka is a self-taught commercial director […]

The post The Gotham Pages: Community News first appeared on Filmmaker Magazine.