Three cross-coastal best friends reunite for a spontaneous road trip across the American underbelly in Dreams in Nightmares, the sophomore feature from writer-director Shatara Michelle Ford. Though a significant pivot in theme and scope from their lean yet intense debut feature Test Pattern, Ford’s latest continues to plainly indicts the oppression that finds Black, femme, queer bodies at a stark institutional disadvantage.  After being laid off from their respective jobs in academia and finance, Z (Denée Benton) and Tasha (Sasha Compère) hop on the phone to reschedule a planned trip to the Dominican Republic. Instead of lounging in paradise, Tasha […]

The post “I Wanted to Make a Black, Gay Paris, Texas“: Shatara Michelle Ford on Their BlackStar-Premiering Sophomore Feature Dreams in Nightmares  first appeared on Filmmaker Magazine.

Sundance Institute announced today the recipients of this year’s Sundance Institute Documentary Fund, which awarded unrestricted grants with a total granting pool standing at $1,450,000 to 28 projects. From the press release: The Documentary Fund prioritizes the support of artists from historically marginalized communities and seeks to amplify global voices telling crucial stories. More than half of the grant proposals came from outside the U.S., with the final group of grantees representing 25 countries. The majority of projects (92%) receiving grants are directed by artists from communities that have been traditionally marginalized and 60% are from first-time feature directors. Through […]

The post 28 Projects Selected for Sundance Institute Documentary Fund 2024 Grants first appeared on Filmmaker Magazine.

On January 6th, 2023 in Washington, DC, the advocacy group Vet Voice stage an elaborate mass role-playing scenario inspired by the attempted insurrection in the Capitol two years before. The loser of a presidential election declares the result illegitimate and encourages the public to rise up, and an extremist militia group with sleepers inside the National Guard does just that. Within the simulation, one side roleplayed the incumbent presidential administration (with former Montana governor Steve Bullock portraying the president), while the other was the terrorist “Red Cell” attempting to stop Congress from certifying the election results. If the Red Cell […]

The post “I Can’t Run a Control Experiment with No Cameras”: Jesse Moss and Tony Gerber on War Game first appeared on Filmmaker Magazine.

Set a century before The Phantom Menace, The Acolyte follows a Jedi master (Squid Games star Lee Jung-jae) and his former apprentice (Amandla Stenberg) as they hunt for a killer who’s dispatching Jedi. The new series holds a distinction that no other live action Star Wars saga can claim—not the half dozen Disney Plus shows or the eleven feature films, not the Star Wars Holiday Special, not even that Ewok movie with Wilfred Brimley. The Acolyte is the first live action story set in the heretofore unseen High Republic era that served as the zenith of Jedi influence and power. […]

The post “Playing in the Best Sandbox Ever”: DP Chris Teague on The Acolyte first appeared on Filmmaker Magazine.

Nearly twenty years ago, Lucy Walker was making a film on the slopes of Everest following a group of blind teenage Tibetan climbers. While on the mountain, she heard of an incident that had taken place when a male guide attacked his wife and climbing partner, a Nepalese woman named Lhakpa Sherpa. Lhakpa’s cursed expedition was the focus of a damning book published a couple of years later, as well as a feature in Outside Magazine. At that point Lhakpa had summited Everest seven times but was living in a cramped apartment in Connecticut as an illiterate single mother, still […]

The post “We’ve All Gone a Bit Broke Making It”: Lucy Walker on Mountain Queen: The Summits of Lhakpa Sherpa first appeared on Filmmaker Magazine.

David Garelik was in Trey Edward Shults’ Waves, Peter Berg’s Mile 22, and recently finished a run of an Off-Broadway 2-hander at the WP Theater, co-produced with Colt Coeur. Now you can see him as the bad guy/enucleator, opposite Liana Liberato, on this season of Criminal Minds: Evolution on Paramount+. On this epic episode, he recounts his journey from moving to New York with zero acting experience and “being a bad auditioner,” to making naivety work for him and “changing the game” by refusing to play it. It’s a story of perseverance, endurance, and growth, fueled by focus on the […]

The post “I Wanna Experience the Feeling, Fully”: David Garelik, Back To One, Episode 302 first appeared on Filmmaker Magazine.

Back in 2021, filmmaker Jessica Oreck (Beetle Queen Conquers Tokyo), who appeared on Filmmaker‘s 25 New Faces list in 2009, launched her Office of Collecting and Design, which she describes as “part wonderland, part library, and part nostalgia machine, devoted to the diminutive, the misplaced, the unusual, and the forgotten.” A truly unusual endeavor, the Las Vegas-based tiny museum is exhibition space, animation studio and prop house — in short, a physical extension of the enthusiasms that have powered Oreck’s filmmaking. From my print issue profile of the project: A cinematic sensibility permeates the whole endeavor, not just in the […]

The post Jessica Oreck Kickstarts a Traveling Museum first appeared on Filmmaker Magazine.

If having your first feature premiere at the Sundance Film Festival is an accomplishment, being nominated for an Academy Award the same week is pretty much unheard of. Nonetheless, that’s what writer-director Sean Wang experienced last January when his coming-of-age narrative feature, Dìdi, premiered to glowing reviews (and a distribution deal with Focus Features) while his nonfiction portrait of his two grandmothers, Nai Nai & Wài Pó, was nominated for the Oscar for Best Documentary Short. Still in his 20s, Wang’s career has skyrocketed over the past year, and now Dìdi “younger brother” in Chinese) opens in theaters riding a […]

The post “Everybody Passed on It”: Sean Wang on Dìdi first appeared on Filmmaker Magazine.

At Filmmaker we’ve long been a fan of Zach Clark, director of such witty and genre (and genre-adjacent) work as Little Sister, Vacation! and White Reindeer. He always brings real style and subversive smarts to his pictures, which often apply ingenious tonal twists to familiar situations and set-ups. For his latest, The Becomers, Clark fuses an Invasion of the Body Snatchers-type tale with a classic rom-com set up. Reviewing the film out of Fantasia, Erik Luers wrote: In depicting two shape-shifting entities who arrive separately on Earth searching for their misplaced mate, Clark’s film provides his Midwest cast the opportunity […]

The post Trailer Watch: Zach Clark’s The Becomers first appeared on Filmmaker Magazine.

Each Friday I send out a free email newsletter with an original Editor’s Letter along with viewing recommendations and festival deadlines. The Editor’s Letter is usually not reposted here on this site. As a way of encouraging sign-ups — you can join for free here — I’m posting here a slightly edited version of last week’s edition, in which I draw some production and distribution conclusions from the success of the Mike Cheslik’s independent hit Hundreds of Beavers, drawing info from linked interviews, now unpaywalled, from our current print edition. — Editor Because I edit Filmmaker and am supposed to […]

The post Ten Takeaways from Hundreds of Beavers‘ Success first appeared on Filmmaker Magazine.