Directed by and co-written with collaborator and husband, Ethan Coen, filmmaker and editor Tricia Cooke’ Drive Away Dolls (or Dykes, per the end credits) finds her doing sapphic donuts around classic movies like Kiss Me Deadly and even a little North By Northwest. As Jamie (Margaret Qualley) and Marian (Geraldine Viswanathan) decide to take a trip to Tallahassee, they’re dogged by inept criminals seeking a package and suitcase in the back trunk of the car the pair have rented. If the road trip movie and film noir have long been exercises to explore the American psyche and the landscape’s possible […]

The post “I Want All The Lesbian Experiences I Can See On Film”: Tricia Cooke on Drive-Away Dolls first appeared on Filmmaker Magazine.

”The only way to survive is to take photos,” declares Libuše Jarcovjáková, the iconoclastic star/narrator/guide of Klára Tasovská’s visually arresting (and eye-catching titled) I’m Not Everything I Want to Be. Nominated for the Teddy Documentary Award at this year’s Berlinale, the all-archival film is a globetrotting, black and white trip back in time (primarily to the 80s and 90s) viewed entirely through the rebelliously inquisitive eyes of this  “Nan Goldin of Soviet Prague” (in the words of curator Sam Stourdzé). And words. For not only did Jarcovjáková obsessively collect images of both her defiantly unglamorous self and her decidedly adventurous life, […]

The post “We Always Sought Out Photos with Movement”: Klára Tasovská on Her “Nan Goldin of Soviet Prague” Doc I’m Not Everything I Want to Be first appeared on Filmmaker Magazine.

MoMA’s annual Doc Fortnight begins as the Berlinale winds down, allowing the fest to grab freshly premiered titles from there, Rotterdam and Sundance (from the latter, opening night selection Realm of Satan, Soundtrack to a Coup d’Etat and Black Box Diaries). This year’s 23rd edition has 13 features, six shorts and three “evenings with”; I was able to sample about half of the work one way or another. Days after Zhou Tao’s The Periphery of the Base Berlinale premiere, his conceptually immaculate The Axis of Big Data makes its North American premiere here. The milky grey background of the opening […]

The post Doc Fortnight 2024: The Axis of Big Data, Preemptive Listening, Small Hours of the Night, Silence of Reason first appeared on Filmmaker Magazine.

The Sundance Institute announced today the eight storytellers who comprise the 2024 Momentum Fellows cohort. Led by the Institute’s Women at Sundance and Artist Accelerator programs, the fellowship “specifically targets mid-career artists hailing from historically marginalized backgrounds, offering them tailored support and resources.” From the press release: The fellowship supports creators working in fiction or nonfiction who have recently achieved a noteworthy accomplishment, such as a highly regarded feature film or series. Momentum provides participants with a full-year program of customized support around current goals they identify for themselves to level up in their craft and career, including an unrestricted […]

The post Sundance Institute Announces 2024 Momentum Fellows first appeared on Filmmaker Magazine.

John Magaro has been delivering consistently stellar performances in films like Not Fade Away, The Big Short, Carol, First Cow, and Showing Up, to name a few. This past year he played Arthur, husband of Greta Lee’s character Nora, in Past Lives. On this episode he talks, spoiler-free, about the last scene of that film and why it makes people emotional. He explains how receiving books, music, photos from directors helps in his preparation. He makes the case for experience over academia, takes us back to a big breakthrough that came to him from the legendary acting teacher Howard Guskin, […]

The post “My Endless Struggle is for Utter Honesty on Film”: John Magaro, Back To One, Episode 279 first appeared on Filmmaker Magazine.

The International Film Festival Rotterdam has always been something of a grab bag. This year, at the 53rd edition, the Dutch festival showed 424 films across its various programmes — a reduction from past years due to widespread budget cuts. Still, 424 films (including 183 world premieres) is a mammoth undertaking for any one film critic at a major festival lacking an intuitive method of whittling down a schedule. This is especially true for international press less interested in the trickle-down from Cannes or Venice — Agniezka Holland’s audience award-winner Green Border, Bertrand Bonello’s The Beast, and Alice Rohrwacher’s La […]

The post Rotterdam 2024 Critic’s Notebook: A Spoiling Rain, The Ballad of Suzanne Césaire, Under a Blue Sun and 102 Narra first appeared on Filmmaker Magazine.

On your way up. Take me up. On your way down. I won’t let you down. — Robert Nesta Marley As a form, the biopic and even more specifically the musical biopic, is an often fraught endeavor, one whose pursuit brings its makers along well-worn paths of pitfalls and dead ends. With his fourth feature, Bob Marley: One Love, Reinaldo Marcus Green meets this challenge head on, capturing a vision of Marley in a time of great upheaval. In the 1970s, Jamaica was embroiled in turmoil — a result of staggering levels of poverty and political rivalries. In ‘76, through gang […]

The post “That Kid Running from the Fire”: Director Reinaldo Marcus Green on Destiny, Devotion and Bob Marley: One Love first appeared on Filmmaker Magazine.

“You know animals are hairy?,” sang the Talking Heads David Byrne. “They say animals don’t worry…” Well, in David and Nathan Zellner’s Sasquatch Sunset, forthcoming from Bleecker Street Pictures, the latter statement is definitely not correct as the filmmakers — Filmmaker 25 New Faces from back in 2008 — wring wonder and joy but also anxiety and fear of encroaching humankind in their story of a family of Sasquatch living undetected in the wilds of Colorado. Bleecker Street’s redband trailer leans hard into Sasquatch sex while cleverly underlining that there’s name talent (Jesse Eisenberg and Riley Keough) in this movie. […]

The post (Redband) Trailer Watch: The Zellner Brothers’s Sasquatch Sunset first appeared on Filmmaker Magazine.

The U.S. trailer for Bertrand Bonello’s The Beast has arrived. The latest film from Bonello (Nocturama, Saint Laurent) marks his third collaboration with Léa Seydoux, who gives not one but three great performances across three different timelines. The Beast enters release on April 5, and our next issue will feature an interview with Bonello conducted by Michael Almereyda.

The post Trailer Watch: Bertrand Bonello’s The Beast first appeared on Filmmaker Magazine.

Leah McKendrick wrote, directed, and stars in the hilarious, super smart, and intensely personal new film Scrambled. It’s about a perpetual bridesmaid who, realizing she isn’t quite willing or able to settle down, decides to freeze her eggs. McKendrick doesn’t shy away from depicting her character’s sex life, the frustrations involving family and friends, and the true loneliness that enveloped her when she decided to do the same procedure in real life. It’s that rare film that will have you belly laughing one minute and crying hard the next. On this episode, we find out what elements were at play […]

The post “Once in a While You Go, ‘My Vision is Enough’”: Scrambled‘s Leah McKendrick, Back To One, Episode 278 first appeared on Filmmaker Magazine.