Cinema Eye Honors announced its nominations today for the 17th annual awards ceremony, to be held on January 12, 2024 at the New York Academy of Medicine. As the press release notes, “Kokomo City, the debut feature from D. Smith led all nominees with six nominations. Mstyslav Chernov’s 20 Days in Mariupol, Sam Green’s 32 Sounds and Maite Alberdi’s The Eternal Memory each received five nominations. All four films are nominated for Outstanding Nonfiction Feature, where they are joined by Kaouther Ben Hania’s Four Daughters, Joe Brewster and Michèle Stephenson’s Going to Mars: The Nikki Giovanni Project and Davis Guggenheim’s […]

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In the opening days of this year’s edition of IDFA, the documentary festival issued two statements on the bombing of Gaza. Following protests at the opening night ceremony where protesters carried banners including the slogan “From the river to the sea, Palestine will be free,” the festival issued a first statement that condemned “the hurtful slogan written on a banner by the protestors, for voicing their concerns, expressing the hurt they felt,” before going on to state that “we believe that this slogan should not be used in any way and by anybody anymore.” The Palestine Film Institute condemned that […]

The post At Least 18 Filmmakers Withdraw from IDFA 2023 first appeared on Filmmaker Magazine.

Though producer-director Vanessa Hope has spent her career zeroing in on China—from producing Wang Quanan’s The Story Of Ermei and Chantal Akerman’s Tombee De Nuit Sur Shanghai to directing her own short China In Three Words and feature-length debut All Eyes and Ears—Hope’s followup feature is nonetheless a bit of a surprise. An intimate portrait of Taiwan’s first female president Tsai Ing-wen, Invisible Nation weaves the tale of President Tsai’s contemporary rise with the (often buried) history of the long-colonized island itself. Through archival footage and in-depth interviews with activists, historians and, of course, the head of (a disputed) state, […]

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Sprawling in scope, observational in form and jaw-dropping in access, Leslie Tai’s How to Have an American Baby shows exactly what its title describes. The title is also the name of a sales talk one of the doc’s characters gives to Chinese moms with the financial means to travel and gift their future offspring US citizenship. The Chinese-American director takes her viewers on the wildest of rides through a birth tourism industry hiding in plain, sunny SoCal sight: underground maternity hotels run by shady operators and filled to the brim with expectant mothers, local hospitals employing doctors in on the […]

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“I think the reason we’ve never pinpointed the real beginning to this genre is because we’ve never agreed on what the genre even is. Do we read nonfiction in order to receive information, or do we read it to experience art? It’s not very clear sometimes… I am here in search of art.” — Jon D’Agata When I interviewed documentary filmmaker Frances Henderson for Filmmaker‘s 25 New Faces list in 2014, she discussed the above quote from author Jon D’Agata, noting that it held pride of place on the moodboard that hung above her desk. ” I am very much […]

The post “The Pendulum Can Only Swing So Far Before the Industry Realizes That There is More to Film, and Life, Than Celebrities and Murderers”: Frances Henderson on Her Essay Doc, This Much We Know first appeared on Filmmaker Magazine.

The SAG strike is over and Back To One returns in the most fitting way—with The Sixth Annual Kevin Corrigan Episode. The living patron saint of the indie actor fills us in on what’s been going on in his world over the past year, talks about playing off of Tim Blake Nelson in his latest film Bang Bang, takes us way back to his first time on a film set as an extra in 1987, describes a recent rewarding experience of performing his own ultra personal material, and ponders his strange case of involuntary lens spiking. Plus stories about “manhandling” […]

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After supporting a range of programs uplifting the independent film community, including Sundance’s Art of Nonfiction and the Dear Producer Award, philanthropist, grant maker and producer and executive producer (Pahokee, Aleph, The Tuba Thieves), Maida Lynn recently announced through her company Facet a new “experimental” initiative, the Producer Group. Rather than the traditional model of providing project-specific support that sees grantees working individually, and different in many ways from the prevalent “lab” model, where supported filmmakers gather for brief bursts of mentorship from industry professionals, the Producer Group will attempt to foster collaboration between producers and “create a space for […]

The post “A Solutions-Based Intervention”: Facet Founder Maida Lynn On Her New Program Supporting Doc Producers first appeared on Filmmaker Magazine.

In his first feature, The Target Shoots First, Chris Wilcha documented his tenure at Columbia House, the mail-order music service whose ads famously promised “12 CDs for a penny.” Then a recent NYU philosophy graduate, Wilcha landed the job partly due to his familiarity with “alternative culture,” a burgeoning new market at the time (Nirvana’s In Utero was soon to be released), and brought a sardonic Gen X sensibility to chronicling his time in the company’s marketing department. Part workplace comedy and part personal essay, Target chronicled Wilcha’s anxiety about selling out his personal integrity and punk rock principles by […]

The post Hard Drives Full of Abandoned Projects: Chris Wilcha on Flipside first appeared on Filmmaker Magazine.

Though I’ve not read Dr. Ibram X. Kendi’s New York Times bestseller Stamped From the Beginning: the Definitive History of Racist Ideas in America, I’m guessing the National Book Award-winner might not be the most obvious material for the big screen. Which is why I was a bit surprised when I finally watched the TIFF-debuting Netflix doc Stamped From the Beginning, Roger Ross Williams’ cinematic and often playful take on the professor-author’s quite heavy subject matter. Indeed, any film that opens with its (Black) director ambushing his (Black) talking heads with the query/salvo, “What is wrong with Black people?” is […]

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Directors Amy Bench and Annie Silverstein (one of Filmmaker‘s 2014 25 New Faces) have collaborated on the short doc Breaking Silence, which premieres today at DOC NYC before release on the PBS app beginning November 15. Winner of both a Jury and Audience Award at SXSW 2023, as well as Best Documentary Short awards at the Atlanta and Oak Cliff Film Festivals, the film is, in the words of the filmmakers, “a verité portrait of Walker and Leslie Estes, a deaf father and CODA daughter from Baton Rouge, LA, who work together upon Leslie’s release from prison—driven by their shared experiences […]

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