You might know Robbie Tann from Preacher, The Deuce, or when he played Billy on Mare of Easttown, or Whitty in the “Mazey Day” episode of the latest season of Black Mirror. Currently he plays Shipley in this year’s most exciting and original sci-fi film, The Creator. On this episode, he tells how the run-and-gun style of shooting on that production, combined with the cast and crew’s infectious passion for the project, helped with all aspects of his work. He explains why he now bypasses a straightforward “roadmap” of preparation, focusing instead on letting the role seep into his unconscious. […]

The post “Part of Being an Actor is Living All the Time with a Certain Sensitivity”: Robbie Tann, Back To One, Episode 271 first appeared on Filmmaker Magazine.

It’s the year of book fairs featuring the collections of voracious cinephiles. Summer’s end saw the Tom Verlaine Book Sale, where several friends and colleagues picked up movie-related editions. And this weekend sees another collection hit the market, this time at New York’s Metrograph Theater. As part of their Holiday Book Fair, Metrograph today and December 16 will be selling the personal collection of books, magazines and journals collected by critic Tony Pipolo, who passed away this past Spring. From the announcement: A passionate moviegoer, intellectual polymath, writer of great acclaim, and Professor Emeritus of film and literature at CUNY, […]

The post Today’s Metrograph Book Fair Includes Collection of Late Critic and Author Tony Pipolo first appeared on Filmmaker Magazine.

In 1951, a volcano erupted on Fogo, one of the Cape Verde islands. That incident is the starting point for The Daughters of Fire, an experimental short by the Portuguese director Pedro Costa.  Costa splits the screen into panels portraying three women—Adelaide, Clotilde, and Irodina—singing over an arrangement of Biagio Marini’s “Passacaglia (Opus 22).” The film ends with footage from A Erupcao do vulcao da ilha do Fogo, a 1951 documentary by ethnologist Orlando Ribeiro. The films are part of Canción de Pedro Costa, a museum exhibition currently touring Europe. In museums the films are projected separately in three different […]

The post “Why Make It Simple?” Pedro Costa on The Daughters of Fire first appeared on Filmmaker Magazine.

Celine Song’s aching tale of ambiguous connection, Past Lives, won Best Feature at last night’s Gotham Awards, held at Cipriani Wall Street. The annual awards, mounted by Filmmaker‘s publisher, The Gotham, bestowed Best Documentary to the hybrid Tunisian picture Four Daughters, directed by Kaouther Ben Hania. Justine Triet’s Anatomy of a Fall won two awards (Best Screenplay and Best International Feature), while A.V. Rockwell won Breakthrough Director for her Sundance Grand Prize winner, A Thousand and One. The complete list of nominees and winners (in bold) is below. Best Feature “Passages” “Past Lives” “Reality” “Showing Up” “A Thousand and One” […]

The post Past Lives, Four Daughters Top 33rd Annual Gotham Awards first appeared on Filmmaker Magazine.

You know Olli Haaskivi from his work in series such as Winning Time, Manifest, and The Sinner, and films like Motherless Brooklyn, Nancy and of course, this Summer’s blockbuster Oppenheimer, where he played scientist Edward Condon. On this episode he shares his experience of working with Christopher Nolan on that film (which he says seemed less sprawling than some student films he’s worked on!), why he felt the freedom to bring his ideas and “all of himself” (spoiler: Nolan is not afraid of actors!), and how all this affected the work in the moment. Plus he talks about his “this […]

The post “You Can’t Get to the Transcendent Stuff Without Risking That It All Might Go Off the Rails”: Olli Haaskivi, Back To One, Episode 270 first appeared on Filmmaker Magazine.

Brit Marling is an inspiration. The talented multi-hypenate became an indie darling in 2011 with Another Earth and Sound of My Voice—collaborations with Mike Cahill and Zal Batmanglij respectively. She avoided various vapid roles and unfulfilling career paths and instead went on to star in (and co-create with Batmanglii) the hit Netflix series The OA, which was bafflingly cancelled after two seasons, despite a rabid and large fan base. The two are back with another series, FX’s A Murder At The End of The World—a cool Zoomer detective whodunit set in a remote super-hotel in Iceland. On this episode, she […]

The post “It’s Hard to Survive if You Don’t Also Have Your Entrepreneur Hat On”: Brit Marling, Back To One, Ep. 269 first appeared on Filmmaker Magazine.

Haute cuisine as a form of artistic creation—one both time-intensive in its preparation and ephemeral in its shelf-life—and how to keep such a tradition alive is at the center of Frederick Wiseman’s Menus-Plaisirs Les Troisgros. Whittled down from 150 hours of footage, the four-hour documentary takes on a leisurely pace matching both the unhurried unfolding of the dining experience at the titular restaurant and the elaborate process of crafting a meal. Beyond showing us the preparation of the food and every conceivable method of cookery, Wiseman brings us the source of it, too, following the Troisgois chefs as they visit […]

The post “I Have Never Seen Any Restaurant Movies”: Frederick Wiseman on Menus-Plaisirs Les Troisgros first appeared on Filmmaker Magazine.

Terra Long’s exquisite debut feature film, Feet in Water, Head on Fire, is at once cine-essay, landscape film and sensory investigation into the production of space. The space in question is the Coachella Valley of Southern California, on traditional Cahuilla territory, a place produced and transformed over multiple eras by overlapping mythologies, migrations and capital accumulation strategies. Arid, hot and prone to tectonic trauma, the landscape is challenging to many kinds of harvest, save the tenacious date palm, a species widely cultivated across North Africa, the Middle East and South Asia with roots in Arabia stretching back millennia. That the […]

The post Encounters with the Coachella Valley Landscape: Terra Long on Feet in Water, Head on Fire first appeared on Filmmaker Magazine.

SFFILM has announced the 17 recipients for the 2023 SFFILM Rainin Grant, awarded in partnership with the Kenneth Rainin Foundation, which includes $425,000 in funding and professional support for narrative projects at different stages of production. From the press release: The SFFILM Rainin Grant program is the largest granting body for independent narrative feature films in the US, and supports films that address social justice issues—the distribution of wealth, opportunities, and privileges—in a positive and meaningful way through plot, character, theme, or setting. Awards are made to multiple projects once a year, for screenwriting, development, and post-production. Recipients are offered […]

The post 2023 SFFILM Rainin Grant Recipients Include Lily Gladstone and Nijla Mu’min first appeared on Filmmaker Magazine.

Brandon K. McLaughlin remembers the exact moment he knew he wanted to work in the movie business. It was Halloween night and McLaughlin was eight years old. His uncle—a special effects technician—had invited him to set to watch the Disney adventure The Rocketeer being made. “I got to see them blow up the zeppelin while the Rocketeer was running on top of it,” McLaughlin said. “From that point on, I never wanted to do anything else. I was fascinated with everything that went into the magic of moviemaking, and the special effects department creates that magic, tricking the audience into […]

The post How to Make Nickelodeon Slime Look Like Oil: Special Effects Coordinator Brandon K. McLaughlin on Killers of the Flower Moon first appeared on Filmmaker Magazine.