Rea Tajiri’s Wisdom Gone Wild takes a hard look at a difficult subject. Tajiri’s 93-year-old mom Rose is a witness to the US’s dark concentration camp history, having been incarcerated along with the rest of her Nikkei farming family during the Second World War. Primarily through Rose’s engaging tales, alongside home video and family photos, Tajiri goes (and takes us) on a decade-plus, nonlinear cinematic journey— neatly paralleling Rose’s own thought process, as the veteran filmmaker’s mom began her dementia decline at the age of 76—or should I say, dementia “reinvention.” For far from being a tragic story about “losing” […]

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Introducing Time of the Heathen on day two of the inaugural FILM FEST KNOX, artistic director Darren Hughes teased that “75 minutes from now, you will be among the hundreds—or perhaps thousands—who have seen this movie.” Access to something otherwise difficult to view is at least part of the premise for any film festival; in the case of 1961’s Heathen, Hughes noted that this might be not just the North American premiere of the restoration (following Il Cinema Ritrovato) but possibly of the film itself. Despite its very regional American origins (the performance of Milton Babbitt protege Lejaren A. Hiller […]

The post FILM FEST KNOX 2023: A Fest is Born first appeared on Filmmaker Magazine.

“I wanted to make something about a desire so intense that it destroys everything around it,” says Oscar-winning writer-director Emerald Fennell of Saltburn, her opulent sophomore psychodrama about class, obsession and longing set in an English countryside estate. “That locust cannibal obsession that I think we’ve all felt about someone that makes you completely lose your fucking mind.” In Saltburn, it’s Barry Keoghan’s humble and unknowable Oxford novice Oliver Quick who feels that fixation. His object of desire and fascination is Jacob Elordi’s dreamboat Felix Catton, an upper-class cool guy who welcomes Oliver into his inner circle, and later, to […]

The post “The Crueler My Friends Are, the Funnier I Think They Are”: Emerald Fennell on Saltburn first appeared on Filmmaker Magazine.

Cinema Eye Honors announced its nominations today for the 17th annual awards ceremony, to be held on January 12, 2024 at the New York Academy of Medicine. As the press release notes, “Kokomo City, the debut feature from D. Smith led all nominees with six nominations. Mstyslav Chernov’s 20 Days in Mariupol, Sam Green’s 32 Sounds and Maite Alberdi’s The Eternal Memory each received five nominations. All four films are nominated for Outstanding Nonfiction Feature, where they are joined by Kaouther Ben Hania’s Four Daughters, Joe Brewster and Michèle Stephenson’s Going to Mars: The Nikki Giovanni Project and Davis Guggenheim’s […]

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In the opening days of this year’s edition of IDFA, the documentary festival issued two statements on the bombing of Gaza. Following protests at the opening night ceremony where protesters carried banners including the slogan “From the river to the sea, Palestine will be free,” the festival issued a first statement that condemned “the hurtful slogan written on a banner by the protestors, for voicing their concerns, expressing the hurt they felt,” before going on to state that “we believe that this slogan should not be used in any way and by anybody anymore.” The Palestine Film Institute condemned that […]

The post At Least 18 Filmmakers Withdraw from IDFA 2023 first appeared on Filmmaker Magazine.

Though producer-director Vanessa Hope has spent her career zeroing in on China—from producing Wang Quanan’s The Story Of Ermei and Chantal Akerman’s Tombee De Nuit Sur Shanghai to directing her own short China In Three Words and feature-length debut All Eyes and Ears—Hope’s followup feature is nonetheless a bit of a surprise. An intimate portrait of Taiwan’s first female president Tsai Ing-wen, Invisible Nation weaves the tale of President Tsai’s contemporary rise with the (often buried) history of the long-colonized island itself. Through archival footage and in-depth interviews with activists, historians and, of course, the head of (a disputed) state, […]

The post “Understanding Taiwan on Its Own Terms”: Vanessa Hope on Invisible Nation first appeared on Filmmaker Magazine.

Sprawling in scope, observational in form and jaw-dropping in access, Leslie Tai’s How to Have an American Baby shows exactly what its title describes. The title is also the name of a sales talk one of the doc’s characters gives to Chinese moms with the financial means to travel and gift their future offspring US citizenship. The Chinese-American director takes her viewers on the wildest of rides through a birth tourism industry hiding in plain, sunny SoCal sight: underground maternity hotels run by shady operators and filled to the brim with expectant mothers, local hospitals employing doctors in on the […]

The post “I Rejected the Concept of Linearity”: Leslie Tai on How to Have an American Baby  first appeared on Filmmaker Magazine.

“I think the reason we’ve never pinpointed the real beginning to this genre is because we’ve never agreed on what the genre even is. Do we read nonfiction in order to receive information, or do we read it to experience art? It’s not very clear sometimes… I am here in search of art.” — Jon D’Agata When I interviewed documentary filmmaker Frances Henderson for Filmmaker‘s 25 New Faces list in 2014, she discussed the above quote from author Jon D’Agata, noting that it held pride of place on the moodboard that hung above her desk. ” I am very much […]

The post “The Pendulum Can Only Swing So Far Before the Industry Realizes That There is More to Film, and Life, Than Celebrities and Murderers”: Frances Henderson on Her Essay Doc, This Much We Know first appeared on Filmmaker Magazine.

The SAG strike is over and Back To One returns in the most fitting way—with The Sixth Annual Kevin Corrigan Episode. The living patron saint of the indie actor fills us in on what’s been going on in his world over the past year, talks about playing off of Tim Blake Nelson in his latest film Bang Bang, takes us way back to his first time on a film set as an extra in 1987, describes a recent rewarding experience of performing his own ultra personal material, and ponders his strange case of involuntary lens spiking. Plus stories about “manhandling” […]

The post Back to One: “It’s Not About You,” The Sixth Annual Kevin Corrigan Episode first appeared on Filmmaker Magazine.

After supporting a range of programs uplifting the independent film community, including Sundance’s Art of Nonfiction and the Dear Producer Award, philanthropist, grant maker and producer and executive producer (Pahokee, Aleph, The Tuba Thieves), Maida Lynn recently announced through her company Facet a new “experimental” initiative, the Producer Group. Rather than the traditional model of providing project-specific support that sees grantees working individually, and different in many ways from the prevalent “lab” model, where supported filmmakers gather for brief bursts of mentorship from industry professionals, the Producer Group will attempt to foster collaboration between producers and “create a space for […]

The post “A Solutions-Based Intervention”: Facet Founder Maida Lynn On Her New Program Supporting Doc Producers first appeared on Filmmaker Magazine.