Martina Radwan’s Tomorrow, Tomorrow, Tomorrow will have its world premiere at DOC NYC in the U.S. Competition section on November 10. In advance, we’re pleased to share the film’s trailer. From the press release: This film tackles the emotional and ethical challenges that arise when a determined, idealistic and thoroughly unprepared American cinematographer decides to support three Mongolian orphans, while traveling back and forth. Told over the span of six years, Tomorrow, Tomorrow, Tomorrow is a deeply personal film and an honest portrait of how storytellers and their characters impact each other. As the filmmaker and central character, Martina grapples […]

The post Trailer Watch: Tomorrow, Tomorrow, Tomorrow first appeared on Filmmaker Magazine.

Ahead of the first-ever International Production Design Week, the Production Designers Collective has coordinated a series of interviews with directors and production designers, in which they discuss their working dynamics and mutual passion for the craft of storytelling. Ethan Tobman describes production design as the art of “visually interpreting the world of a director through emotional architecture.” Below, he and director Mark Mylod discuss their film The Menu and going from reference images on the wall to a fully realized world structured to best absorb the viewer emotionally while furthering the narrative (along with meticulously crafting a last-minute birthday cake […]

The post “450 Resin-Coated Pieces of Plastic”: Production Designer Ethan Tobman and Mark Mylod on The Menu first appeared on Filmmaker Magazine.

Upon the release of her 1985 memoir, Elvis and Me, Priscilla Presley sat down with Barbara Walters to explain her objectives in writing the book: “[Elvis] was a human being, that’s the aspect I’m trying to show. That’s all. That was the intent of the whole book: to show a love story, a man, a human. Not the performer, not the image, not the idol.” In many ways, this is also the aim of the average biopic: to pull back the curtain separating public from private, to reveal the “truth” behind legends and complicate accepted narratives. But while these films […]

The post Standing in the Shadow of Elvis: Sofia Coppola’s Priscilla first appeared on Filmmaker Magazine.

Reviewing a boxset of writer-director Larry Fessenden’s work in 2015 for Filmmaker, I began by noting that “Fessenden can frequently be found on the outskirts of the New York filmmaking community, using his production company Glass Eye Pix as an outlet of support for fellow filmmakers.” While my summation of the celebrated horror auteur’s altruism remains accurate (the company turns 40 in 2026), Fessenden’s own films have grown tougher to get off the ground. A new film by him is therefore a major event, albeit one that happens quietly.  Having made its world premiere at the 27th Fantasia International Film […]

The post “Literally Filmed Within Two Miles of My House”: Larry Fessenden on Blackout, Streaming and His Role in Killers of the Flower Moon first appeared on Filmmaker Magazine.

Ahead of the first-ever International Production Design Week, the Production Designers Collective has coordinated a series of interviews with directors and production designers, in which they discuss their working dynamics and mutual passion for the craft of storytelling. At the heart of production designer Akin McKenzie and writer-director Terence Nance’s long-running collaboration is a mutual recognition of the importance of, as Nance puts it, “creative execution that flows from emotional framework.”  The two first worked together on the Peabody-award-winning HBO show Random Acts of Flyness and went on to create Space Jam: A New Legacy and award-winning commercial campaigns for […]

The post Reject Departmental Sectarianism: Production Designer Akin McKenzie and Writer-Director Terence Nance first appeared on Filmmaker Magazine.

Chicken & Egg Pictures announced today the 27 filmmaking team recipients of its inaugural Chicken & Egg Pictures Research & Development Grant. Supported by Netflix’s Fund for Creative Equity, the grants provide experienced directors with $10,000 for research or $20,000 for development of a new documentary project — stages of the filmmaking process that are often unpaid and unsupported. Chicken & Egg Pictures’s team will also provide grantees with peer support, connecting them to the broader documentary community for mentorship and networking opportunities. From the press release: The 2023 Chicken & Egg Pictures Research & Development Grant is supported by […]

The post Chicken & Egg Pictures Announces Inaugural 27 Grantees of its Netflix-Supported Research & Development Grant first appeared on Filmmaker Magazine.

Vietnamese American filmmaker Linh Tran’s debut feature Waiting for the Light to Change tells the story of five friends in their twenties who head to a beach house for a weeklong winter getaway. At the center of the group are Amy (Jin Park) and Kim (Joyce Ha), whose once-close friendship seems to be running out of fuel—especially now that Kim is dating Amy’s longtime secret crush, Jay (Sam Straley). As past regrets and resentments come to the surface, Amy and Kim wrestle with painful questions about whether their old selves fit into the new lives they’re trying to create for […]

The post “Limit Yourself to Three Setups Per Scene”: Linh Tran on Slamdance Award-Winner Waiting for the Light to Change first appeared on Filmmaker Magazine.

Walking into SohoWorks Brooklyn, it feels as though you’ve entered someone’s sleek yet warm living room. This cozy assortment of chairs, couches and tables looking out over the East River of New York was the home of the 2023 Variety Gotham Week Expo on October 4th and 5th. The second year of their Expo initiative, these two days were overflowing with timely and cutting-edge conversations between acclaimed and budding organizations in the field. The space reflected the intention and intimacy of this year’s organizing—not always something easy to come by in the city. With over 40 years under their belt, […]

The post Changing Tides: Brown Girls Doc Mafia at Variety Gotham Week 2023 first appeared on Filmmaker Magazine.

The following guest post was submitted by Brittany Franklin, founder and president of Minorities in Film (MiFILM). Franklin and MiFilm participated in the recent The Gotham Week Expo, a program of Filmmaker‘s publisher, The Gotham. — Editor The energy was palpable at The Gotham Week Expo Sessions on October 4th and 5th, as filmmakers and industry visionaries converged to exchange ideas, share insights and forge connections. Among the many enlightening sessions, Minorities in Film (MiFILM) had the pleasure to present two panels: “Amplifying Your Independent Film: Effective Marketing Techniques for Targeted Audience Engagement” and “Advocacy for the Independent Filmmaker Through […]

The post Navigating the New Wave: Insights from Gotham Week Expo 2023 first appeared on Filmmaker Magazine.

Heralded as perhaps the greatest espionage novelist of all time (though some find this label horribly reductive), David Cornwell, best known by his pen name John le Carré, wrote 26 novels over the course of his 60-year career. But filmmaker Errol Morris decided to chronicle the life and career of the English writer and former British Intelligence agent through the lens of his 2016 memoir, The Pigeon Tunnel: Stories from My Life. This decision makes perfect sense on paper: why wouldn’t Morris utilize Cornwell’s own recollections and reflections as the backbone of his documentary profile, particularly with a subject who, […]

The post “Contrary to Jean-Luc Godard, This Film Isn’t Truth 24 Frames a Second”: Errol Morris on The Pigeon Tunnel first appeared on Filmmaker Magazine.