Sundance Institute announced today the 2023 lab fellows selected for their 10th Episodic Lab program, taking place at the Sundance Resort in Sundance, Utah. The selected eight artists are Daniela Bailes (The Letters), Elaine Hsieh Chou (Get Home Safe), Marissa Díaz (Cochinas), Sam Dunnewold (Guts), Laurie Hartung (Rabbit Hole), Farah Merani (The Painted Muse), Sylvia-Anne Parker (Blackbirds) and Hernando Cortes Watson (Horsepower). From the press release: Their eight projects include themes that explore family secrets, vengeance, sex positivity, magic, revolutionaries, and world-class stallions. Designed to bring together early-career writers with an original series IP that has not yet been produced, […]

The post Sundance Institute Announces 2023 Episodic Lab Fellows first appeared on Filmmaker Magazine.

NAB Show New York is where thousands of just-like-you broadcast, media and entertainment professionals gather to access pivotal insight and get hands-on. With an immersive show floor experience, you’ll discover cutting-edge products from 200+ exhibitors with the opportunity to ask vendors questions in person. Refine your understanding of the latest industry trends and techniques. Network with your peers and the pros alike. It all comes together here. https:/nabshow.com/newyork2023/

The post NAB Show New York, October 24-26, 2023 (Sponsored Post) first appeared on Filmmaker Magazine.

A neo-Western that premiered on March 16, 2010, Justified is about a man outside of time: Deputy US Marshal Raylan Givens (a tall, lithe and supremely self-confident Timothy Olyphant), who metes out frontier justice (i.e. shoots folks at the drop of his very large hat) despite his temporal position in Obama’s America. Elmore Leonard made his bones writing (lots of) Westerns in the ’50s and, even after branching out into the super-cool super-bare crime novels he became famous for starting with The Big Bounce (1969), continued to dip into the genre; his 2001 long short story “Fire in the Hole,” […]

The post Man Out of Time: Justified: Primeval City first appeared on Filmmaker Magazine.

Heather Dewey-Hagborg is on a mission to confront the uncomfortable future, especially when it comes to emerging tech. Stranger Visions features portrait sculptures crafted from analyses of genetic material the transdisciplinary artist, educator and filmmaker literally picked up in public places (one person’s discarded cigarette butt is another’s way into a stranger’s DNA). T3511, a collaboration with cinematographer Toshiaki Ozawa (Laurie Anderson’s Heart of a Dog), sees an anonymous saliva sample become fodder for the alchemizing of the perfect romantic partner. Now there’s Hybrid: an Interspecies Opera, perhaps Dewey-Hagborg’s most ambitious work to date. Opening at NYC’s Fridman Gallery on […]

The post “My Film is For the Pigs”: Heather Dewey-Hagborg on Hybrid: an Interspecies Opera first appeared on Filmmaker Magazine.

Immersive and poetically expressive, Raven Jackson’s confident debut feature All Dirt Roads Taste of Salt chronicles the life of Mack, a Black Mississippi woman portrayed at different ages by four different performers, with a lived-in attentiveness and affection. Throughout Jackson’s non-linear ecosystem of portraits, quiet sequences, dewy visuals and sensual soundscapes, the filmmaker breaks the conventions of storytelling so naturally that you instantly recognize the confidence of someone well-versed enough in her art and craft to make her own set of rules.  The seeds of Jackson’s approach and exactness of imagination were already planted in her short film, Nettles (2018), […]

The post “The More Unapologetic We Became, The More Interest We Got”: Raven Jackson on All Dirt Roads Taste of Salt first appeared on Filmmaker Magazine.

A passion for cinema and its most well-known and iconic action stars of the past decades, including Bruce Lee, Jean-Claude Van Damme, Sylvester Stallone and Tom Cruise. A passion that at first nurtures a desire to imitate, but then finds an organic landing place with the creation of an original film character Donato Lecce plays in a film he self-produces: Doran Eccel. But that’s not all. Donato—a martial arts expert and profound connoisseur of Eastern philosophy—is an multi-hyphenate talent, self-producing several artistic projects in fields from music to publishing to cinema. All revolving around the figure of a fictional character—Doran […]

The post Doran the Mystic Warrior: From Life Coach to Super Hero (Sponsored Post) first appeared on Filmmaker Magazine.

If there’s one thing that indie filmmakers, especially first-timers, can generally agree on, it’s that applying to film festivals can be a mystifying process. What type of films are film programmers looking for? Does running time matter?  “Demystifying Film Festivals,” a panel at the recent 20th BendFilm Festival in Bend, Oregon (October 12-15, 2023) attempted to answer some of those questions. Open to the public and held at Somewhere That’s Green, a plant store and community space, the free panel was moderated by Selin Sevinç, director of programming at BendFilm and featured veteran programmers Joanne Feinberg (BendFilm, Big Sky), John […]

The post BendFilm Festival 2023: What Filmmakers Need to Know Before Applying to Film Festivals first appeared on Filmmaker Magazine.

Co-winner of the Cannes 2023 Golden Eye, Kaouther Ben Hania’s (Zaineb Hates the Snow, Beauty and the Dogs) Four Daughters is both compellingly crafted and deeply disturbing. The “fictional documentary” looks back on an infamous, winding and tumultuous Tunisian saga involving five women: the titular quartet of older siblings Ghofrane and Rahma and youngest Eya and Tayssir, along with their mother Olfa Hamrouni. The younger daughters appear as themselves, and the film features two actors taking on the roles of the oldest, a necessity since Ghofrane and Rahma can’t “play” themselves, having “disappeared” back in 2015 at the tender ages of […]

The post “A Journey That Allowed Us to Harness the Power of Storytelling”: Kaouther Ben Hania on her Cannes-winning Four Daughters first appeared on Filmmaker Magazine.

Good Condition is an eight-minute meditation on loneliness, technology and new beginnings. It marks the second collaboration between filmmakers Frank Mosley and Hugo De Sousa after their 2022 comedy short film, The Event, in which a filmmaker wakes up his roommate in the middle of the night to ask why he hasn’t watched his short film. This time, they embark on an eerie trip to the suburbs, following a melancholy man named Barry (Hugo De Sousa) trying to complete a transaction with a ghostly figure who keeps evading him. Good Condition premiered at Aspen ShortFest and Fantasia earlier this year, and […]

The post Getting Friends and Strangers to Watch Your Short Film: Frank Mosley and Hugo De Sousa on Good Condition and The Event first appeared on Filmmaker Magazine.

Good Condition is an eight-minute meditation on loneliness, technology and new beginnings. It marks the second collaboration between filmmakers Frank Mosley and Hugo De Sousa after their 2022 comedy short film The Event. This time, they embark on an eerie trip to the suburbs, following a melancholy man named Barry (Hugo De Sousa) trying to complete a transaction with a ghostly figure that keeps evading him. Good Condition premiered at Aspen ShortFest and Fantasia earlier this year, and will finish its run this November at the Cucalorus Film Festival. Click here to read Mosley and De Sousa’s interview with Patrick […]

The post Watch: Frank Mosley and Hugo De Sousa’s Good Condition first appeared on Filmmaker Magazine.