Heather Dewey-Hagborg is on a mission to confront the uncomfortable future, especially when it comes to emerging tech. Stranger Visions features portrait sculptures crafted from analyses of genetic material the transdisciplinary artist, educator and filmmaker literally picked up in public places (one person’s discarded cigarette butt is another’s way into a stranger’s DNA). T3511, a collaboration with cinematographer Toshiaki Ozawa (Laurie Anderson’s Heart of a Dog), sees an anonymous saliva sample become fodder for the alchemizing of the perfect romantic partner. Now there’s Hybrid: an Interspecies Opera, perhaps Dewey-Hagborg’s most ambitious work to date. Opening at NYC’s Fridman Gallery on […]

The post “My Film is For the Pigs”: Heather Dewey-Hagborg on Hybrid: an Interspecies Opera first appeared on Filmmaker Magazine.

Immersive and poetically expressive, Raven Jackson’s confident debut feature All Dirt Roads Taste of Salt chronicles the life of Mack, a Black Mississippi woman portrayed at different ages by four different performers, with a lived-in attentiveness and affection. Throughout Jackson’s non-linear ecosystem of portraits, quiet sequences, dewy visuals and sensual soundscapes, the filmmaker breaks the conventions of storytelling so naturally that you instantly recognize the confidence of someone well-versed enough in her art and craft to make her own set of rules.  The seeds of Jackson’s approach and exactness of imagination were already planted in her short film, Nettles (2018), […]

The post “The More Unapologetic We Became, The More Interest We Got”: Raven Jackson on All Dirt Roads Taste of Salt first appeared on Filmmaker Magazine.

A passion for cinema and its most well-known and iconic action stars of the past decades, including Bruce Lee, Jean-Claude Van Damme, Sylvester Stallone and Tom Cruise. A passion that at first nurtures a desire to imitate, but then finds an organic landing place with the creation of an original film character Donato Lecce plays in a film he self-produces: Doran Eccel. But that’s not all. Donato—a martial arts expert and profound connoisseur of Eastern philosophy—is an multi-hyphenate talent, self-producing several artistic projects in fields from music to publishing to cinema. All revolving around the figure of a fictional character—Doran […]

The post Doran the Mystic Warrior: From Life Coach to Super Hero (Sponsored Post) first appeared on Filmmaker Magazine.

If there’s one thing that indie filmmakers, especially first-timers, can generally agree on, it’s that applying to film festivals can be a mystifying process. What type of films are film programmers looking for? Does running time matter?  “Demystifying Film Festivals,” a panel at the recent 20th BendFilm Festival in Bend, Oregon (October 12-15, 2023) attempted to answer some of those questions. Open to the public and held at Somewhere That’s Green, a plant store and community space, the free panel was moderated by Selin Sevinç, director of programming at BendFilm and featured veteran programmers Joanne Feinberg (BendFilm, Big Sky), John […]

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Co-winner of the Cannes 2023 Golden Eye, Kaouther Ben Hania’s (Zaineb Hates the Snow, Beauty and the Dogs) Four Daughters is both compellingly crafted and deeply disturbing. The “fictional documentary” looks back on an infamous, winding and tumultuous Tunisian saga involving five women: the titular quartet of older siblings Ghofrane and Rahma and youngest Eya and Tayssir, along with their mother Olfa Hamrouni. The younger daughters appear as themselves, and the film features two actors taking on the roles of the oldest, a necessity since Ghofrane and Rahma can’t “play” themselves, having “disappeared” back in 2015 at the tender ages of […]

The post “A Journey That Allowed Us to Harness the Power of Storytelling”: Kaouther Ben Hania on her Cannes-winning Four Daughters first appeared on Filmmaker Magazine.

Good Condition is an eight-minute meditation on loneliness, technology and new beginnings. It marks the second collaboration between filmmakers Frank Mosley and Hugo De Sousa after their 2022 comedy short film, The Event, in which a filmmaker wakes up his roommate in the middle of the night to ask why he hasn’t watched his short film. This time, they embark on an eerie trip to the suburbs, following a melancholy man named Barry (Hugo De Sousa) trying to complete a transaction with a ghostly figure who keeps evading him. Good Condition premiered at Aspen ShortFest and Fantasia earlier this year, and […]

The post Getting Friends and Strangers to Watch Your Short Film: Frank Mosley and Hugo De Sousa on Good Condition and The Event first appeared on Filmmaker Magazine.

Good Condition is an eight-minute meditation on loneliness, technology and new beginnings. It marks the second collaboration between filmmakers Frank Mosley and Hugo De Sousa after their 2022 comedy short film The Event. This time, they embark on an eerie trip to the suburbs, following a melancholy man named Barry (Hugo De Sousa) trying to complete a transaction with a ghostly figure that keeps evading him. Good Condition premiered at Aspen ShortFest and Fantasia earlier this year, and will finish its run this November at the Cucalorus Film Festival. Click here to read Mosley and De Sousa’s interview with Patrick […]

The post Watch: Frank Mosley and Hugo De Sousa’s Good Condition first appeared on Filmmaker Magazine.

We’re happy to share the first trailer for Leslie Tai’s debut documentary How to Have an American Baby, which next plays at the San Diego Asian Film Festival on Nov. 3 before making its New York City premiere on November 14th at DOC NYC and continuing on to Cucalorus Film Festival screenings on November 16 and 19. From the press release: a creative documentary that takes us behind the closed doors of the booming shadow economy catering to Chinese tourists who travel to the U.S. to give birth—in order to obtain U.S. citizenship for their babies. Told through a series of […]

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The Gotham Film & Media Institute, Filmmaker‘s parent publisher, today announced the nominees for the 33rd annual Gotham Awards, to be held this Monday, November 27 at Cipriani Wall Street. All of Us Strangers leads the feature film nominations with four total. Click here to watch the live-streamed nominations announcement, or read them below. Best Feature Passages Ira Sachs, director; Saïd Ben Saïd, Michel Merkt, producers (MUBI) Past Lives Celine Song, director; David Hinojosa, Pamela Koffler, Christine Vachon, producers (A24) Reality Tina Satter, director; Brad Becker-Parton, Riva Marker, Greg Nobile, Noah Stahl, producers (HBO Films) Showing Up Kelly Reichardt, director; […]

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When thinking of Armenian cinema, the names of Sergei Parajanov and Artavazd Peleshyan come to mind. These two titans are influential not only for Armenian or Soviet cinema but world film heritage. Both introduced unique storytelling methods—one infusing the screen with poetry and collaged images, the second conceiving of the “Distance Montage” technique. But Armenian cinema, which marks its 100th anniversary this year, has other notable filmmakers whose work deserves no less recognition.  ArmenFilm (HayFilm), the first and main film production body of Armenia, was established in 1923 as a separate department within the People’s Commissariat of the Soviet Armenia. […]

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