A breakout at Sundance, Berlinale and New Directors/New Films this year, Chilean-Serbian writer-director Vuk Lungulov-Klotz’s debut feature Mutt is as scrappy and charming as its canine title. Following a frenzied 24 hours in the life of New York trans man Feña (Lío Mehiel, the first trans actor to win the U.S. Dramatic Special Jury Award for Acting at Sundance), Mutt explores the constant micro-aggressions that trans people face daily—even in a supposedly hyper-tolerant locale, especially from loved ones—and the connections and community that make these encounters sting a little bit less. Even when Feña faces his capricious ex-boyfriend, moody tween […]

The post “This Movie Could Only Happen at This Budget in New York City”: Vuk Lungulov-Klotz on Mutt first appeared on Filmmaker Magazine.

Action director Lawrence Ribeiro has appeared in Filmmaker‘s pages before, writing about pre-viz’ing a fight scene and stunt training. Recently he has been directing a series of car chase short films, with the latest, Part Deux: The Chase, racking up 1.5 million views on YouTube. As he writes, these days he’s “working to expand Action Realism with upcoming projects that marry speed and movement with legendary talents in music and sound.” Here, in a conversation submitted by production company Art & Action Productions, he answers questions about the film, which can also be watched below. What was the purpose behind […]

The post Behind the Scenes of a Car Chase first appeared on Filmmaker Magazine.

A trailer arrives today for Justine Triet’s latest film Anatomy of a Fall, which was awarded the Palme d’Or at this year’s Cannes Film Festival. The film will screen at TIFF and NYFF before hitting theaters later this fall. Per an official synopsis: For the past year, Sandra (Sandra Hüller), her husband Samuel (Samuel Theis), and their eleven-year-old son Daniel (Milo Machado Graner) have lived a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, the police question whether he was murdered or committed suicide. Samuel’s suspicious death is […]

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World premiering at TIFF before hitting IMAX and theater screens later this fall, the trailer arrives from A24 today for the 40th anniversary 4K restoration of Jonathan Demme‘s Stop Making Sense. The seminal Talking Heads concert film captures the band—comprised of David Byrne, Jerry Harrison and spouses Tina Weymouth and Chris Frantz, married now for 45 years—performing at Hollywood’s Pantages Theater in December of 1983. The September 11 TIFF world premiere of the 4K restoration will be followed by a Q&A conducted by Spike Lee with all of the original Talking Heads band members (this should be juicy in its […]

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Film at Lincoln Center announces today the Spotlight lineup for the 61st New York Film Festival, taking place from September 29 through October 15. The full spotlight slate arrives shortly after FLC announced that the North American premiere of Bradley Cooper’s Leonard Bernstein biopic Maestro will be presented at a Spotlight Gala event at David Geffen Hall on October 2. Highlights include world premieres of Nathan Fielder and Benny Safdie’s co-directed episodic effort The Curse and Garth Davis’s adaptation of Iain Reid’s novel Foe, starring Saoirse Ronan and Paul Mescal. Other notable selections are Harmony Korine’s infrared-shot AGGRO DR1FT, which will […]

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Five years after his directorial debut A Star Is Born, Bradley Cooper returns to direct Maestro, a biopic about Leonard Bernstein that stars Cooper as the renowned composer and conductor. The film, co-written by Cooper and Spotlight screenwriter Josh Singer, specifically follows the relationship between Bernstein and his wife, Felicia Montealegre Cohn Bernstein (Carey Mulligan). Matt Bomer, Maya Hawke, and Sarah Silverman also star. Maestro will have its world premiere at the Venice Film Festival in the coming weeks. It will hit select theaters stateside on November 22 before exclusively streaming on Netflix on December 20. Watch the first teaser […]

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These interviews were recorded prior to the SAG/AFTRA strike, in June 2023, as part of the Tribeca Festival.  On this special episode of Back To One, actors Sophia Lillis, Hannah Gross and Michael Cera talk about their work in writer/director Dustin Guy Defa’s wonderful new film The Adults. We get a glimpse into each of their general preparation processes before doing a deep dive into their work on this actor-centric production. They each talk about how they built the reality of their complex sibling relationship, why the songs and dances that play such a big part in their characters’ past feel […]

The post The Adults Special Episode with Michael Cera, Sophia Lillis and Hannah Gross (Back To One, Episode 263) first appeared on Filmmaker Magazine.

After a brief closure this summer, New York City’s Paris Theater reopens in September with a newly-installed Dolby Atmos sound system (making the 500-seat Paris Theater the largest Dolby cinema in Manhattan) and, for the first time in 15 years, a series of 70mm screenings. Highlights include the first U.S. 70mm screening of Jacques Tati’s Playtime in 10 years; the first NYC 70mm screening of Ron Fricke’s Baraka in 10 years; the U.S. premiere of Apichatpong Weerasethakul’s Memoria in Dolby Atmos; a screening of William Friedkin’s excellent Sorcerer as a tribute to the recently deceased director; and the first NYC […]

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The Gotham Film & Media Institute, Filmmaker‘s publisher, announced today significant changes to its Gotham Awards eligibility criteria, removing entirely the previous $35 million budget cap for submitted films. That means studio films like Barbie and Oppenheimer could potentially compete against smaller-scale independents, films like 2022 nominees Best Feature nominees The Cathedral and Dos Estacionnes. Additionally in the lead-up to an awards season already impacted by the WGA and SAG-AFTRA strikes, The Gotham announced that international films will be eligible to compete alongside U.S. titles in the following categories: Outstanding Lead Performance, Outstanding Supporting Performance, Best Screenplay, and Bingham Ray […]

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“Have you ever seen Romanian TikToks?” It’s a torrid afternoon in Locarno and Radu Jude and I are sitting in a container repurposed as an interview booth, a couple of days after the premiere of his latest, Do Not Expect Too Much from the End of the World. Social media play a prominent role in the film, an electrifying snapshot of life in the 21st century designed to both immortalize our back-to-front digital zeitgeist and dissect its textures. A collage straddling black comedy and road movie, Do Not Expect centers on Angela (Ilinca Manolache), an overworked production assistant whose company […]

The post “Rules Stop Me from Daring”: Radu Jude on Do Not Expect Too Much from the End of the World first appeared on Filmmaker Magazine.