A ten-gallon hat floating in the ocean and psychedelically patterned polypropylene western wear wandering empty hotel halls might not seem like images from a documentary about the changing nature of American commerce, but those costumes define the dreams at the heart of Emily Mackenzie and Noah Collier’s Carpet Cowboys. After becoming obsessed with the seemingly drug-induced carpet designs lining every banal conference room and casino floor in the United States, Mackenzie and Collier stumbled upon Dalton, GA, known then as the “Carpet Capital of the World.” The pair went in, Mackenzie holding the boom and Collier the camera, with little […]

The post “The Pitch Is a Performance”: Emily Mackenzie and Noah Collier on Carpet Cowboys first appeared on Filmmaker Magazine.

A trailer arrives today for Foe, the latest directorial effort from Australian filmmaker Garth Davis. Adapted from the novel of the same name by I’m Thinking of Ending Things author Iain Reid, the screenplay is co-written by Davis and Reid and stars Saoirse Ronan and Paul Mescal as a Midwestern American couple circa 2065 who must navigate a sudden change in their relationship. An official synopsis reads: Saoirse Ronan and Paul Mescal star in Foe, a haunting exploration of marriage and identity set in an uncertain world. Hen and Junior farm a secluded piece of land that has been in Junior’s […]

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Festivals have a baked-in tension between the works they’re meant to showcase—marginal relative to the marketplace, hence the (sometimes pejorative) descriptor “festival film”—and the sponsorships necessary for them to operate, the larger and more corporate the better. Cracks will inevitably emerge; thus, attending Locarno with his latest, The Old Oak, socialist Ken Loach spent part of his press conference dutifully denouncing sponsors UBS Bank, prompting two Swiss journalists sitting next to an attending friend to draw their breath sharply in protest: “UBS is an ethical bank.” Another tension is between the ideal of a “festival film”—work at the boundaries of what’s […]

The post Locarno 2023: Circles of Reference first appeared on Filmmaker Magazine.

Film at Lincoln Center announces today the Currents lineup for the 61st New York Film Festival, which will take place at FLC and select theaters across NYC from September 29 through October 15. Comprised of 11 features and 36 shorts, the 2023 Currents lineup—which serves to highlight “filmmakers and artists working at the vanguard of the medium”—will feature films from 23 countries and compliment the NYFF Main Slate. “The filmmakers in this year’s Currents lineup range from well-known veterans to prodigious newcomers, and the films encompass narrative, documentary, and experimental modes, sometimes recombined and redefined,” said Dennis Lim, Artistic Director, […]

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I got a call from my agents, and they told me they had a script they wanted me to read. It was called The List, a broad romantic comedy about a woman who finds out her fiancé had slept with someone on his celebrity free pass list, so she decides to go to Los Angeles and try to get with someone from hers. My initial thoughts were, great concept, and why me? When I finished the script my thoughts were, needs some work, and why me? My first film was something I had written and directed called All These Small […]

The post “If I Ever Need to Rob a Bank…”: Melissa Miller Costanzo on Directing the Romantic Comedy The List first appeared on Filmmaker Magazine.

Filmmaker is happy to share the official trailer for Blow Up My Life, the debut feature from co-writers, directors and producers Ryan Dickie and Abigail Horton. The duo appeared on our 25 New Faces of Film list in 2016 with their production outfit New Media Ltd. alongside their collaborator Mike Anderson. The film has screened at the Austin Film Festival, Chattanooga Film Festival, Cucalorus Film Festival and Harlem International Film Festival, where it won Best Film. The film stars Jason Selvig (of the political satire comedy duo The Good Liars) and Kara Young (I’m a Virgo). Co-starring are Davram Stiefler (Selvig’s The Good Liars […]

The post Trailer Watch: Ryan Dickie and Abigail Horton’s Blow Up My Life first appeared on Filmmaker Magazine.

In early July, a cohort of over a dozen filmmakers and artists gathered in the International Documentary Association’s sun-drenched conference room. Some had flown in from as far away as the UK and Serbia, others were local to LA. A number—perhaps most of them—weren’t exactly sure what was in store for them at the weekend-long Experimental Realities event. Or even why exactly they were there.  I asked the event organizers how members of the impressive group — who included Greg de Cuir Jr., Alison Nguyen, and Mark Mushiva — were selected. “This is funny because the participants have been asking […]

The post Looking Towards 2043: The Worldbuilding Weekend of Experimental Realities first appeared on Filmmaker Magazine.

The great actor of the stage and screen, Ron Cephas Jones died on August 19, 2023, at the age of 66. On this episode from 2020, he details the value of a true collaborative relationship with the director, why the script never leaves his side in preproduction, talks about what it was like to slowly build “William” on This Is Us through many seasons of that show, and takes us back to his early days at LAByrinth theater in New York City to explain how Philip Seymour Hoffman forever changed his approach to work, plus much more! This is an expanded version […]

The post “You Are Enough”: Ron Cehpas Jones on Back To One (Expanded Re-Release) first appeared on Filmmaker Magazine.

The Sundance Institute announces today 23 projects that have been selected for the 2023 Documentary Fund, which provides unrestricted grant funding totaling just over $1,000,000 for filmmakers from around the globe. Among this year’s recipients, six projects are in development, 14 are in production and three are in post-production. Grants are made possible by the Open Society Foundations, the John D. and Catherine T. MacArthur Foundation, Gucci and the Kendeda Fund. Highlights among 2023 grantees are Looking at Ourselves directed by Oscar and Emmy-nominated filmmaker Lourdes Portillo, Adam’s Apple directed by artist and filmmaker Amy Jenkins, Untitled Uvalde Documentary by Anayansi […]

The post Sundance Institute Announces 2023 Documentary Fund Grantees first appeared on Filmmaker Magazine.

The following interview was originally published during our Sundance 2023 coverage and is being republished today ahead of birth/rebirth hitting theaters via IFC Films and Shudder this weekend. — Editor The narrative kernel of birth/rebirth, Laura Moss’s debut feature, was originally planted in the writer-director’s mind 20 years ago. The filmmaker (and former EMT) was creatively stirred after reading Mary Shelley’s Frankenstein and feeling that its interest in unnatural procreation could translate well to an all-female retelling. As the decades passed, Moss began negotiating integral facets of their identity—namely coming out as non-binary and becoming increasingly convinced they would never have […]

The post “What ‘Motherhood’ Really Means”: Laura Moss on birth/rebirth first appeared on Filmmaker Magazine.