Ruth E. Carter is one of the best-known and most highly acclaimed costume designers working today. Since the very beginning of her 30-plus-year career, she’s had a creative partnership with Spike Lee, designing everything from the iconic streetwear of Do the Right Thing to the period looks of Malcolm X, Crooklyn and Summer of Sam. Carter’s resume also includes collaborations with directors like Steven Spielberg (Amistad) and Ava DuVernay (Selma). This year, she made history as the first Black woman to win two Oscars, when she took home the Best Costume Design statue for her beautifully bold work in Black […]

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Filmmaker is happy to share an exclusive clip of Elaine McMillion Sheldon’s documentary King Coal, which opens at DCTV Firehouse Cinema in New York City on August 11 before a limited expansion. The clip details the history of West Virginia’s New River—”the second oldest river in the world”—and how it came to be known as Coal River. Watch the full clip above. An official synopsis gets into the film’s overall thesis: A lyrical tapestry of a place and people, King Coal meditates on the complex history and future of the coal industry, the communities it has shaped, and the myths […]

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Like many Filmmaker readers, I first encountered the work of Elaine McMillion Sheldon a decade ago, when the West Virginia native landed on our annual 25 New Faces of Independent Film list in 2013. She’d just completed Hollow, which began as a documentary about her home state’s struggling McDowell County, and ultimately transformed into a sprawling interactive project; and per Randy Astle’s profile, “a community portrait that includes about three hours of video — including a lot shot by members of the community — audio recordings, text, photographs and user-generated material via Instagram.” Sheldon then popped back onto my radar two […]

The post “I Realized This Was a Film Not Necessarily About Things Seen…But Things Felt”: Elaine McMillion Sheldon on King Coal first appeared on Filmmaker Magazine.

Just announced yesterday as part of the 2023 New York Film Festival’s Main Slate, a trailer now arrives for writer-director Raven Jackson’s feature debut All Dirt Roads Taste of Salt. The film premiered at Sundance back in January and will now hit theaters via A24. (Anthony Kaufman recently penned a piece for our Spring 2023 issue examining how A24 is keeping art films alive, using All Dirt Roads Taste of Salt and a few of the studios other Sundance ’23 acquisitions as case studies.) A brief synopsis reads: A lyrical, decades-spanning exploration across a woman’s life in Mississippi, the feature […]

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When you make your living in production, the relationship between work and time off can be a complicated one. After months of Fraturdays and Second Meal pizza at 2 a.m., you need to rest, decompress and resume the parts of your life that have been essentially paused during shooting. But stay off set too long and dread can fester—a fear of dwindling bank accounts, falling short on days for insurance and being usurped in your market’s hiring hierarchy. Cinematographer Paul Yee is acutely aware of that delicate balance and how it feels when the equilibrium becomes askew. He took a self-imposed […]

The post “I Spent Nearly 14 hours Staring At That Lamp”: DP Paul Yee on Joy Ride first appeared on Filmmaker Magazine.

Selling to Netflix for $20 million after an intense bidding war at this year’s Sundance Film Festival, a trailer now arrives for Fair Play, the feature debut from writer-director Chloe Domont. Starring Phoebe Dynevor and Alden Ehrenreich, the film follows “an unexpected promotion at a cutthroat hedge fund [that] pushes a young couple’s relationship to the brink, threatening to unravel far more than their recent engagement.” The film was produced by Ram Bergman and Rian Johnson through their production company T-Street. Fair Play will hit select theaters on September 29 before streaming on Netflix on October 13. Watch the trailer […]

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A Hong Kong documentary crew travels to Borneo to dig up the grave of an ancient “evil dwarf sorcerer” for a mondo film on black magic; as you might imagine, protracted supernatural revenge is exacted for the next 70 minutes. This is the gist of Red Spell Spells Red (1983, d. Titus Ho), the second of two Hong Kong exploitation films written by Amy Chan Suet-Ming (the first being the previous year’s Centipede Horror, directed by Keith Li), of whom little is known beyond her proclivity for bug-based horror. Neither film is a major studio production, perhaps because Hong Kong’s […]

The post Killing Pigs for Art? On Animal Cruelty-Free Cuts first appeared on Filmmaker Magazine.

Today, Film at Lincoln Center unveils the Main Slate lineup for the 61st New York Film Festival, taking place from September 29 through October 15. This comes after previous announcements concerning the festival’s 2023 gala titles, with Todd Haynes’s May December opening this year’s NYFF, Sofia Coppola’s Priscilla as the centerpiece selection and closing with Michael Mann’s Ferrari. “The unsettled state of the industry is an unavoidable talking point these days, but my hope is that our festival, as it has done through its 61-year history, will serve as a reminder that the art of cinema is in robust health,” […]

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On this special episode, I visit the picket line at each of the four SAG/AFTRA strike sites in New York City, in one continuous, unbroken audio “take.” Actors Michael Gaston, Clarissa Thibeaux, and others talk to me about what’s at stake, and en route to each location I share my own thoughts on the issues at hand, make some predictions, voice concerns, and offer up my total and complete solidarity to the cause, all supported by the loud and never-ending symphony of the New York City streets! Get ready for the strangest, but definitely most sonic-rich, episode of this podcast […]

The post “How Many Times Do I Have To Get Lucky To Survive?” Strike: A Special Episode of Back To One first appeared on Filmmaker Magazine.

In November 2022, the Maryland Film Festival announced it would not be holding its 25th anniversary event and would stop public-facing operations the following year, including new and repertory screenings at Baltimore’s Parkway Theater, in order to “prioritize a planning process to develop a new business model and plan that will chart the future trajectory of the organization.” Barely six months later, the New/Next Film Festival was announced, running from August 18 to 20 in the festival’s previous home, The Charles Theater, just a few blocks south of the Parkway.  Leading the charge, or at the very least facilitating it, […]

The post “Festivals Should Reflect Their Community”: Eric Allen Hatch on New/Next Film Festival’s Inaugural Edition first appeared on Filmmaker Magazine.