Director Vladan Nikolic is currently in post-production on his latest film, Everything That Will Happen Has Already Happened, and preparing for a crowdfunding campaign to raise final costs. The filmmakers have shared with Filmmaker a teaser trailer, above, as well as the following statement about the film, which plans to premiere in festivals in 2024 Everything That Will Happen Has Already Happened, a very ambitious no budget narrative feature film is in the works. Billed as a “collaborative film,” led by filmmaker and professor Vladan Nikolic, it was made with the help of filmmakers and actors from around the world. […]

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Normally on shoots, veteran documentary maker Kim Longinotto films far away from her native England, often capturing the lives of women in desperate situations over the course of a few weeks. With her latest film, Dalton’s Dream, things ran rather differently. Having watched his victory on the British X Factor in 2018, Longinotto reached out to Dalton Harris, interested in documenting his life in a new country with a new record contract.  An initial three-month shoot morphed into more than four years, held up by both the pandemic and the turbulence of Harris’s life as he found himself persecuted for […]

The post “All Filmmakers are Struggling to Find Money”: Kim Longinotto and Franky Murray Brown on Dalton’s Dream first appeared on Filmmaker Magazine.

There’s a moment early in director Brian Vincent and producer Heather Spore’s documentary Make Me Famous when the ’80s downtown New York artist Edward Brezinski is described by the late artist Duncan Hannah as the guy with the flyers. Brezinski would show up at openings, drink the cheap wine and press flyers for group shows at the Magic Gallery (his own barren apartment on East 3rd Street) into as many palms as possible. In a world where the most successful artists managed to self-promote while simultaneously adopting a pose of understated remove, Brezinski’s old-school hucksterism was memorably uncool. As the […]

The post The ’80s NYC Art Scene, DIY Doc Filmmaking and the Hustle of Self-Promotion: Director Brian Vincent and Producer Heather Spore on Make Me Famous first appeared on Filmmaker Magazine.

With only 24 days to capture nearly 30 sketches, the average I Think You Should Leave bit is shot in roughly six to eight hours. That might be for the best. When you’re slopping up steaks or shooting body after body busting out of cheap wood and hitting pavement, probably wise not to linger at a location for too long. Cinematographer Markus Mentzer, who has been behind the camera for all three seasons of the Netflix show, breaks down the newest crop of sketches for Filmmaker. Filmmaker: Your first three camera department credits on IMDB are Out of Time, In […]

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Announced as part of the 2023 Locarno International Film Festival lineup yesterday, the trailer arrives for Romanian filmmaker Radu Jude’s film Do Not Expect Too Much from the End of the World. Following 2021’s pandemic satire Bad Luck Banging or Loony Porn, Jude’s latest feature takes its title from a quote by Polish poet Stanislaw Jerzy Lec and clocks in at 163 minutes. An official synopsis reads: Part One: We follow Angela, an overworked production assistant who must drive around the city of Bucharest in order to film the casting for a “safety at work” video commissioned by a multinational […]

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Fantasia International Film Festival announces today the third wave of titles for its 2023 lineup, with first and second wave titles revealed earlier this spring. The 27th edition of the festival will run from July 20 through August 9 at Montreal’s Concordia Hall Cinema, with additional screenings to be held at the J.A. DeSève Cinema, Cinémathèque québécoise, and Cinéma du Musée.  Pre-sale tickets will be available on Saturday, July 15 at 1pm EST. In the meantime, check out the full list of additional titles, panels, events and jurors at this year’s Fantasia, and visit the festival’s official website for more […]

The post Fantasia International Film Festival Announces Third Wave of 2023 Programming first appeared on Filmmaker Magazine.

The full lineup has been unveiled for the 76th Locarno International Film Festival, which will take place in the Swiss town from August 2-12. At a glance, highlights include new films from Filipino slow cinema auteur Lav Diaz, Romanian social satirist Radu Jude, zany French funnyman Quentin Dupieux and Argentine director Eduardo Williams (who actually needs three films in a trilogy, anyway?). Also featured in this year’s lineup is Family Portrait, the feature debut from Lucy Kerr, who we included on our annual 25 New Faces of Film list last year. Check out the full lineup below, and visit Locarno’s official […]

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A brand new trailer arrives for Martin Scorsese’s Killers of the Flower Moon, which will hit theaters later this fall. Co-written by Scorsese and Eric Roth, the film is based on David Grann’s 2017 non-fiction book of the same name. Just shy of three and a half hours long, Scorsese’s latest stars Leonardo DiCaprio, Lily Gladstone, Robert De Niro, Jesse Plemons, John Lithgow, Brendan Fraser, Tantoo Cardinal, Cara Jade Myers, JaNae Collins and Jillian Dion. Along with the new trailer, we also receive an official synopsis for Killers: At the turn of the 20th century, oil brought a fortune to […]

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Chris Messina is that rare character actor leading man who is the go-to supporting actor in seemingly everything. From The Mindy Project and Newsroom, to She Dies Tomorrow and I Care A Lot, he handles ultra-serious roles (like in Blame, which I loved) or uproarious ones (such as in this year’s hit Air) with what seems like effortlessness, and now he’s starring in the new series Based on a True Story with Kaley Cuoco. In this hour, he generously takes us on an extended tour of his process. He talks about learning to “experience” rather than “act,” why the thought […]

The post “What I Long For in My Work is Self Revelation.” Chris Messina, Back To One, Episode 260 first appeared on Filmmaker Magazine.

Full Sail University’s accelerated film degree programs provide student filmmakers with the classes, technology, and educators they need to make their way in the industry. Film students learn to balance creative storytelling with technical skills for a comprehensive filmmaking education. Full Sail’s Film Degree Programs Full Sail’s film degrees are hands-on programs that are focused on providing students a wide range of experience in their industry. In the Film bachelor’s program, students tackle every step of the filmmaking process, from scriptwriting and set-building to camera setup and post-production. Each student takes on a key role or a crew role during dedicated film days, where they work together on set and experience a […]

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