Trailer Watch: Danny and Michael Philippou’s Talk To Me

A young Black woman with cropped short hair sits up in a dark room, her eyes widen as she gazes at something that clearly terrifies her.

The trailer for A24’s latest buzzy horror title, twin brothers Danny and Michael Philippou’s Talk To Me,  has finally landed after a pretty extensive festival run. The film had a special preview screening last year at the Adelaide Film Festival in the brothers’ native Australia, followed by its world premiere at Sundance back in January. It’s since screened at SXSW and was the secret screening at the Overlook Film Festival a week and a half ago. Despite receiving raves from audiences, the first trailer for Talk To Me is keeping specific plot details under wraps. Without spoiling too much, here’s […]

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BAVC Media Announces 2023 MediaMaker Fellows

The headshots of all seven 2023 BAVC MediaMaker Fellows, superimposed over a pink background.

Today, BAVC Media (formerly Bay Area Video Coalition) announces their 2023 MediaMaker Fellowship cohort, comprised of emerging and mid-career artists embarking on social documentary projects. All seven participants will receive $10,000 in unrestricted funding as well as mentorship, feedback sessions and workshops during a nine-month period. The fellows are Paige Bethmann (Remaining Native), Aurora Brachman (Dear You), ilana coleman (The Inventory, also a 25 New Faces of Film from 2017 and co-writer of fellow 25 New Face Juan Pablo González‘s 2021 film Dos Estaciones), Tommy Franklin (You Don’t Know My Name), Cyrus Moussavi (Somebody’s Gone), Hannah Myers (Daddy) and tashi […]

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“Self-Aware Doesn’t Work for Us”: Joe Dante on The Movie Orgy, Matinee at 30 and William Castle’s The Tingler

A theater is packed, young people and kids sit on the bright red velvet seats and throw popcorn, stare at the screen and cheer.

All of Joe Dante‘s films revolve around distinctly American paranoias—consumerism, threats to the nuclear family, suburban NIMBY sensibilities—but none feel more entrenched in a tangible era of American anxiety than Matinee. Now 30 years old, the film takes place during the height of the Cuban Missile Crisis, centering B-movie shlock jockey Lawrence Woolsey (John Goodman, riffing big time on William Castle), who lands in a panicked Key West, Florida for a promotional screening of his radioactive new horror film Mant (half-man, half-ant, all monster!) Both enraptured and horrified by the real-world implications Woolsey’s film hints at (nuclear disfigurement, neighborhoods-turned-warzones, the […]

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Trailer Watch: Felix van Groeningen and Charlotte Vandermeersch’s The Eight Mountains

Two men work on a house's roof with hammers with the mountains of the Swiss Alps in the background.

Winner of the Jury Prize at Cannes last year, the U.S. trailer arrives today for Belgian directors Felix van Groeningen and Charlotte Vandermeersch’s The Eight Mountains, adapted from the novel of the same name by Italian author Paolo Cognetti. The film stars Luca Marinelli and Alessandro Borghi as, respectively, Pietro and Bruno, two childhood best friends who first meet in the Italian Alps and then re-connect later in adulthood. The Eight Mountains will be released stateside this spring by Sideshow and Janus Films. The film’s official synopsis reads: Pietro, a city boy who visits the tiny mountain village of Grana […]

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“A Fear of the Freedom That You Thought You Wanted”: Saim Sadiq on Joyland

A woman holds a man's face in her hands as she leans in for a kiss. A green star in projected over her side profile.

Winner of the Queer Palm at Cannes last year, writer-director Saim Sadiq’s feature debut Joyland depicts a blooming love between closeted married man Haider (Ali Junejo) and Biba (Alina Khan), a trans erotic performer who employs Haider as one of her (heretofore untrained) back-up dancers. The film chronicles the ever-shifting dynamics between Biba, Haider, his wife Mumtaz (Rasti Farooq) and their intensely patriarchal immediate family. A ban on the film in Sadiq’s native Pakistan occurred due to Joyland‘s queer explorations. In a public statement, a right-wing government pundit stated that the film was “against Pakistani values,” adding that “glamorizing transgenders […]

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Trailer Watch: Laura Citarella’s Trenque Lauquen

A woman stands in an open field, gray skies behind her, as she clutches a newspaper to her chest. The wind lightly blows her brown hair behind her.

A favorite on the festival circuit last year, the U.S. trailer arrives for Argentine filmmaker Laura Citarella’s Trenque Lauquen, which took six years to make. Co-written by Citarella and Laura Paredes (who stars), the film totals 262 minutes and follows a woman also named Laura who has disappeared in the titular town (which the filmmaker has familial roots in). This is the second film of Citarella’s that revolves around the Laura character, the first being 2011’s Ostende. Notably, Trenque Lauquen was one of Film Comment’s Best Undistributed Films of 2022, and will now get a North American theatrical release courtesy […]

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Overlook Film Festival Announces 2023 Award Winners

A man wearing a '70s era tan suit and orange-hued tie stands with his arm propped up against a vintage TV camera.

The Overlook Film Festival announces today the films that won both Jury and Audience Awards during the 2023 edition. The seventh iteration of the horror-fueled festival took place from March 30 through April 2 in New Orleans, featuring over 50 films from 12 countries. This was an especially vital year for the festival, boasting 45 sold out screenings, 110 filmmaker guests appearing in-person and approximately 5,000 audience members in attendance. Two feature films were granted Audience Awards this year: first place went to Australian filmmakers Colin Cairnes and Cameron Cairnes ’70s TV talkshow spoof Late Night with the Devil. The […]

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Trailer Watch: Adirley Queirós and Joana Pimenta’s Dry Ground Burning

A group of young people ride their motorcycles through damp streets in a Brazilian town.

Another trailer drops today for a film featured in our most recent issue, this time for the docu-fiction hybrid Dry Ground Burning from directors Joana Pimenta and Adirley Queirós. This is the first film that Pimenta and Queirós have co-directed together, but the duo previously collaborated on Queirós’s 2017 film Once There Was Brasilia, which employed Pimenta as the cinematographer. Vadim Rizov wrote about the film during TIFF back in September: The plot revolves around two half-sisters who get involved in manufacturing and distributing gas illegally, and its title is a description, not a metaphor—the fuel’s potency is demonstrated to […]

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CPH:DOX 2023: The Platinum Anniversary Edition

If there’s one thing pandemic shutdowns have proven over these past few years, it’s that (far too) many film festivals can just as easily be covered online. (Do I really need to hop on a plane and into a faraway cinema to view the latest Netflix Original?) That, thankfully, is not the case when it comes to the Copenhagen International Documentary Film Festival, now in its 20th year  and still one of the most punk rock rebellious events around, as evidenced by e.g. the fest’s decision this edition (March 15-26) to team up with Kunsthal Charlottenborg, the palatial contemporary art […]

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Trailer Watch: Cyril Schäublin’s Unrest

A young woman with curly brown hair pulled back examines a watch with a magnifying glass and tweezers.

Featured in our recent Spring Issue, Swiss filmmaker Cyril Schäublin’s Unrest now has an official trailer. The film premiered last year during Berlinale’s Encounters section, where Schäublin won Best Director. It went on to screen at TIFF, the New York Film Festival and the Viennale, among several other international festivals. Unrest will open via KimStim on May 5 at Film at Lincoln Center in New York City and May 19 at Laemmle Monica Film Center in Los Angeles. An official synopsis for the film reads: New technologies are transforming a 19th-century watchmaking town in Switzerland. Josephine (Clara Gostynski), a young […]

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