Delaware County, New York. Never heard of it? Makes sense. It’s a large county in the Catskills region of New York with a rich agricultural history of farming—there are more cows than people. There are also the most idyllic rolling hills, beautiful, lush green valleys, adorable Main Streets and a wealth of true architectural gems. With a low cost of living compared to other areas in the region and state and production friendly municipalities, this a county that has enjoyed a recent explosion in production and the county is eager to bring in more. Excited by the economic impact of […]

The post Discover Delaware County (Sponsored Post) first appeared on Filmmaker Magazine.

Just a few months after The Novelist’s Film hit theaters, prolific South Korean director Hong Sangsoo returns with Walk Up. Both films were programmed during the 60th edition of the New York Film Festival this past fall, and as such Film at Lincoln Center will open Walk Up on March 24. A trailer from The Cinema Guild arrives today. The film’s official synopsis reads: In his ninth film for Hong Sangsoo, Kwon Haehyo plays Byungsoo, a film director who goes with his daughter Jeongsu (Park Miso), an aspiring interior designer, to a building owned by an old friend (Lee Hyeyoung) […]

The post Trailer Watch: Hong Sangsoo’s Walk Up first appeared on Filmmaker Magazine.

Over the past eight years, Jon Bois has become a key pioneer of documentaries made for the internet. As the creative director of Secret Base, the YouTube channel of sports blog network SB Nation, his work across three series—Pretty Good, Chart Party and now Dorktown, co-written by Alex Rubenstein—takes often unconventional and lesser-known sports stories as a jumping-off point for increasingly ambitious, deftly handled portraits of some of Americana’s most crucial mainstays. By focusing equally on the minutiae of statistics, the highs and lows of a game and the many human dramas within sports teams and the cities surrounding them, Bois and Rubenstein establish […]

The post “We Aren’t Simply Trying to Appeal to Nostalgia”: Jon Bois on the Art of Sports Docs first appeared on Filmmaker Magazine.

Is Rian Johnson’s Glass Onion: A Knives Out Mystery, in fact, a mystery? It certainly presents as one at its beginning, when a group of unlikely friends, whom we will come to know as “the shitheads,” are whisked away to the private island of billionaire-bro Miles Bron (Edward Norton). As Daniel Craig’s returning sleuth Benoit Blanc points out, “You’ve taken seven people, each of whom has a real-life reason to wish you harm, gathered them together on a remote island and placed the idea of your murder in their heads.” So far, so trad. The film’s setting isn’t as familiar […]

The post Vibes Out: Is Rian Johnson’s Glass Onion: A Knives Out Mystery Really a Mystery? first appeared on Filmmaker Magazine.

The Tokyo Reels, a project by Subversive Film (Mohanad Yaqubi and Reem Shilleh), was first exhibited as an installation and mini film festival at documenta fifteen. This collection of 20 films depicting the Palestinian struggle was safeguarded for decades by Japanese activists before its preservation by Subversive Film. Following its restoration, the collection served as the basis for R21 AKA Restoring Solidarity (2022), set to have its North American premiere at this year’s True/False Film Festival. In November 2022, as R21 was having its world premiere at the International Documentary Festival of Amsterdam, we spoke with Yaqubi on transnational film […]

The post “A Militant Archiving Process”: Mohanad Yaqubi on R21 AKA Restoring Solidarity first appeared on Filmmaker Magazine.

Today, The Overlook Film Festival unveils the slate for its 2023 edition, to take place in New Orleans from March 30-April 2. The horror-focused festival will open with Universal’s Dracula reboot Renfield and close with Evil Dead Rise, the latest entry in the Evil Dead franchise. Additional programming includes interactive events, live performances, immersive programming and parties.  Several retrospective titles have also been announced, entailing a 30th anniversary screening of Joe Dante‘s Matinee, a 10th anniversary screening of Jim Jarmusch‘s Only Lovers Left Alive, Alfred Hitchcock’s silent film The Lodger accompanied by a live score and William Castle’s The Tingler “featuring surprise […]

The post The Overlook Film Festival Announces 2023 Lineup first appeared on Filmmaker Magazine.

Today, Film at Lincoln Center and MoMA announce the lineup for New Directors/New Films 2023, which will run from March 29-April 9 in New York City. Boasting 27 feature films and 11 shorts, the 52nd edition of the festival will open with Savanah Leaf’s A24 film Earth Mama and conclude with Vuk Lungulov-Klotz’s Mutt, which recently won the Special Jury Award winner at Sundance. “We are thrilled to bookend the 2023 ND/NF edition with two remarkable features, directed by up-and-coming artists Savanah Leaf and Vuk Lungulov-Klorz, portraying tormented yet determined characters with sensitivity, authenticity, and a true inspiring artistic vision,” […]

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A Kickstarter campaign has been launched to secure funding for writer-director Cambria Matlow’s narrative short Why Dig When You Can Pluck, starring Sol Marina Crespo as a mother and filmmaker who does some soul searching on a family vacation. The Kickstarter will run from February 28 through March 23 as part of the platform’s month-long specialty program Long Story Short. Matlow’s goal is to raise $22,000 for production and distribution costs.  “Why Dig When You Can Pluck is my first narrative film after years spent making documentaries and I couldn’t be more excited to share this with the filmmaking community,” […]

The post Kickstarter Launches for Filmmaker Cambria Matlow’s Narrative Short Why Dig When You Can Pluck first appeared on Filmmaker Magazine.

Mia Wasikowska’s first project in The States was the HBO series In Treatment. She was just 16 years old, but if you watched it then, you were probably in awe, like me, marveling at this seemingly fully formed acting artist, performing, with nuance and subtlety, well beyond her years. She continued to wow us with stellar work in Jane Eyre, Madame Bovary, Alice In Wonderland, Stoker, The Double, Tracks, Damsel and Bergman Island, to name a few. Her latest is an absolutely beautiful film called Blueback. In this woefully brief episode, she talks about the underwater acting she had to do […]

The post “The Reality of a Life of Acting All the Time Is Different From the Perception”: Mia Wasikowska (Back To One, Episode 242) first appeared on Filmmaker Magazine.

A tiny visual suture at the very beginning of Philippe Garrel’s The Plough inadvertently attests to two different formats being stitched together. The letters of the production company/financing body credits have slightly serrated edges against a dark grey background and clearly come from a digital file, while the subsequent dedication and title card have smooth-lined lettering against a perceptibly darker black, with a few scratches further confirming their celluloid origin. Somebody output those titles to 35mm, then scanned them back in, which speaks to differing deliverables standards for different parts of the chain, as well as to Garrel’s loyalty to the medium (he’s […]

The post Berlinale 2023: The Plough first appeared on Filmmaker Magazine.