“We Put All the Magical Emphasis on the Stork World”: Tamara Kotevska on Her Toronto (and Venice) debuting “The Tale of Silyan”
The Tale of Silyan is the latest painstakingly crafted cinematic endeavor from Tamara Kotevska, co-director of the 2019 Sundance-winning (in three categories) and 2020 Oscar-nominated (in two) Honeyland; it’s a film certain to continue the awards-nabbing streak. Set in the village with the greatest number of white storks in Macedonia, the title refers to a 17th century folktale featuring a rebellious boy named Silyan whose father curses him for wanting to flee the hard work on the family farm — turning him into a stork, condemned to a life of eternal migration. The title also refers to one of the real-life […]
You don’t need to have watched Ross McElwee’s films over the years in order to be moved by Remake, in which his ongoing saga of art and life collides in freshly shattering ways with the unlikely prospect of a Hollywood deal and the unthinkable death of his son Adrian. But if you have been following along (or catching up) with his journey from Sherman’s March through to Photographic Memory, the personal loss can all feel that much more poignant, as if you know him personally. That’s a function of his incredibly skillful, essayistic voice (and voiceover), in movies that are—as […]
The Shorenstein Center announced today the Fall 2025 cohort of Documentary Film Fellows, who will be working closely with the Documentary Film in the Public Interest (DFPI) initiative. Through the Fellows’ projects, the Shorenstein Center will engage in examinations of public impact and media policy. Shorenstein Center Director Nancy Gibbs said in a press release, “We are eager to welcome these exceptional leaders into our research community. Prof. Aufderheide’s groundbreaking work on ethical practice, and Jax DeLuca’s on the civic power of documentary, could not be more timely at this critical moment for the field.” The Fall 2025 Fellows will […]
Tim Blake Nelson is a celebrated actor, writer, and director. His nearly 100 screen credits include The Thin Red Line, Lincoln, The Ballad of Buster Scruggs, Watchmen, and O Brother, Where Art Thou? For his latest, the independent film Bang Bang, he plays an aging boxer whose glory days are long past. On this episode, he details how his process has changed by comparing the patience he has now to his approach for O Brother, Where Art Thou? where “fear inspired hubris” fueled him. He explains why it’s the actor’s job to retranslate poor direction, how his thirst for knowledge […]
Canadian-Hungarian filmmaker Sophy Romvari draws inspiration from memories across her acclaimed shorts, while also conjuring up a whole new (cinematic) world to shield them from the passage of time. After the documentary approach of Nine Behind, Remembrance of József Romvári and Still Processing, Blue Heron is a fully staged narrative following a Hungarian family of six moving into their new home on Vancouver Island. With the promise of a clean start, they try to rewrite the family history in present tense—an effort seen through the experiences of the youngest child, Sasha (Eylul Guven). Jeremy (Edik Beddoes), the oldest, is affectionate […]
Writer-director James Sweeney can’t pinpoint the exact time when he learned about the uniquely complex notion of twin loss and bereavement. But he can clearly recall what resonated with him the most before he wrote the first draft of Twinless in 2015. “It was the idea of this deep and singular form of grief, like a loss of self,” Sweeney remembers during a recent conversation with Filmmaker Magazine on his sophomore feature, which premiered in Sundance to rave reviews, and is opening theatrically on September 5 through Roadside Attractions. “It just seemed like such a multifaceted way to explore themes […]
Narratives of decline and obsolescence, frequently as a consequence of unforced errors made by the wealthy and unaccountable (the latter adjective redundant when paired with the former), are going to be a big theme this fall. The global political situation is self-evident; zooming down to the media tier, rumors of imminent firings and general bloodletting are swirling. (Wait for those quarterly reports to come in at the top of October and let the pain begin.) Zooming way down to the relatively parochial level of “one specific film festival,” TIFF was once a global powerhouse and automatic stop for the year’s […]
The Toronto International Film Festival begins today, with many of this awards season’s festival heavy-hitters (Hamnet, The Smashing Machine, Sentimental Value, Train Dreams) screening for North American audiences. As usual, though, we focus our preview on newer titles as well as a few sleepers that have premiered earlier this year. Below, find 13 films we strongly believe are worth your time at Toronto. Maddie’s Secret The opening night selection for TIFF’s Discovery program is the directorial debut from NYC comedian John Early, wherein he stars as Maddie Ralph, a dishwasher working at a trendy food content company who struggles with […]
When Valentyn Vasyanovych shot The Tribe (2014) by Myroslav Slaboshpytskyi, he was a cinematographer and emerging director. Shortly after, he developed an impressive oeuvre of his own beginning with Black Level (2017), a dialogue-free film about a wedding photographer in a midlife crisis. Similarly to The Tribe, Vasyanovych was exploring a novel cinematic language within a new wartime reality, establishing a formal strategy consisting of a strictly static camera and deep focus, extended mise-en-scène and minimal editing through which his films can be recognized. Two subsequent fiction features brought him international acclaim, whose frighteningly prescient narratives helped him attain the […]
Waking Hours is the auspicious, Venice-premiering feature debut of cinematic collaborators Federico Cammarata and Filippo Foscarini, graduates of the Experimental Center of Cinematography in Palermo. With Cammarata handling camerawork, Foscarini on sound, the duo have been working as a two-man team since their 2020 award-winning, mid-length doc Tardo Agosto. And their less-is-more approach shows (and then some). The film stems from the simplest of premises: a group of Afghan smugglers who’ve set up camp along the border between Serbia, Croatia and Hungary spend their nights smoking and chatting by the fire (the only source of light) when not discussing prices […]