The first trailer drops today for 25 New Faces of Film alum Elaine McMillion Sheldon’s King Coal, the filmmaker’s meditative hybrid doc on the impact of the coal industry (and the substance itself) on Central Appalachia. The film premiered at Sundance this year in the NEXT section and will arrive in select theaters around the country for limited engagements beginning next month. Per an official synopsis: A lyrical tapestry of a place and people, King Coal meditates on the complex history and future of the coal industry, the communities it has shaped, and the myths it has created. Oscar-nominated filmmaker […]

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With the full Venice Immersive slate announced yesterday, the Venice Classics lineup has now been revealed ahead of the 80th edition of the Venice International Film Festival. Curated by Alberto Barbera in collaboration with Federico Gironi, this year’s Venice Classics slate features newly restored versions of William Friedkin’s The Exorcist, Terrence Malick’s Days of Heaven, Agnès Varda’s The Creatures and much more. Alongside recent restorations, several films in the lineup boast new “Director’s Cut” labels, including Andrei Tarkovsky’s masterpiece Andrei Rublev, which, according to the curators, “will be presented in the reconstruction of the complete original version, which was censored […]

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Admittedly, as a white, baseball-phobic critic (I’ve never seen A League of Their Own or anything starring Kevin Costner and a bat), I’m not exactly the target demographic for The League, which takes a deep dive into America’s pastime through the parallel sports universe of the Negro League. Nevertheless, the doc was a must-catch, no pun intended, for me during Tribeca since I also happen to have a baseball-obsessed (Bronx-born/Brooklyn Dodgers-raised) father and (Mets-maniacal) sister who visited the Negro Leagues Baseball Museum several years back, and still speak of that trip as some sort of exotic holy pilgrimage. (For the record, the NLBM is […]

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Myrna the Monster, Ian Samuels’s 2015 short film that secured him a spot on our 25 New Faces of Film list that same year, is finally available to watch online via the filmmaker’s personal Vimeo account. The titular monster is voiced by Kathleen Hanna (Bikini Kill, Le Tigre and The Julie Ruin frontwoman) and embodied by an elaborate puppet that Samuels, a former Sesame Street employee and graduate of CalArts’s puppetry program, crafted himself. Filmmaker editor-in-chief Scott Macaulay penned Samuels’s 25 New Faces profile, describing the plot of the 14-minute short as follows: Hovering just around 3 feet, Myrna — […]

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Sofia Coppola’s biopic Priscilla will serve as the centerpiece selection at the 61st edition of the New York Film Festival, taking place this year from September 29 through October 15. The film, which will be distributed by A24 later this year, will have its North American premiere at Alice Tully Hall on September 6. Starring Cailee Spaeny as Priscilla and Euphoria‘s Jacob Elordi as Elvis Presley, the film marks another collaboration between Coppola and DP Philippe Le Sourd (The Beguiled, On the Rocks) as well as French indie-pop band Phoenix, which will provide original music. (Frontman Thomas Mars and Coppola […]

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The full Venice Immersive lineup, the XR (Extended Reality) section of the 80th Venice International Film Festival, has been announced today. Described as being “entirely devoted to immersive media” and encompassing “all XR means of creative expression,” the program will be held just a short distance from the Lido on the island Lazzaretto Vecchio (dubbed Immersive Island for the fest). Press previews will be held on August 29 before opening exclusively for press and industry on August 30. The public and all other festival accredited visitors will be able to see the program between August 31 and September 9. Per […]

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Alongside programming celebrating hip-hop, actress Kay Frances, Roger Corman’s Poe adaptations and “eurothrillers,” this August’s streaming selections on the Criterion Channel heavily feature filmmakers who’ve appeared in this publication, including  in our recent Summer 2023 print issue. First up, Juan Pablo González’s highly-recommended Dos Estaciones will have its exclusive streaming premiere on the platform. González made our 25 New Faces of Film list back in 2015, and Dos Estaciones is the director’s sophomore feature. Described by Criterion as blending a “fictional character study and documentary-like observation,” the film follows tequila ranch owner María (Teresa Sánchez, winner of a Special Jury […]

The post Dos Estaciones, Charm Circle, a New Joel Potrykus Short and More to Debut on the Criterion Channel in August first appeared on Filmmaker Magazine.

Jennifer Reeder’s follow-up as a writer-director to her 2019 feature debut Knives and Skin, the first trailer arrives today for Perpetrator. The film had its world premiere at this year’s Berlinale before having its North American premiere at Tribeca Festival earlier this summer. In my interview with Reeder ahead of Berlinale ’23, I briefly elaborate on the film’s premise: Precocious 17-year-old Jonny (Kiah McKirnan) has a no-frills home life with her deadbeat father, supported by her after school hustle as a petty thief. Her mother has long been out of the picture, only exacerbating her feeling of isolation when she […]

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The trailer arrives today for Mutt, the feature debut of writer-director Vuk Lungulov-Klotz. The film premiered at Sundance in January (where star Lío Mehiel received the U.S. Dramatic Special Jury Award for Acting, becoming the first trans actor to do so), before subsequently screening at Berlinale (winning the Generation 14plus—Best Film award) and closing out this year’s New Directors/New Films. The trans coming-of-age film will open at New York City’s Film Forum later this summer. Here’s the official synopsis: Feña (Mehiel), a young trans guy bustling through life in New York City, is afflicted with an incessantly challenging day that […]

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After collaborating on Sideways nearly 20 years ago, Alexander Payne and Paul Giamatti reunite for The Holdovers, Payne’s latest directorial effort. Giamatti stars as a crotchety boarding school teacher who’s been tasked with looking after the students unable to leave campus for winter break in a period screenplay by David Hemingson An official synopsis reads: The Holdovers follows a curmudgeonly instructor (Paul Giamatti) at a New England prep school who is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually he forms an unlikely bond with one of them—a damaged, […]

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