“It’s Like Funny Ordinary People”: Jay Duplass on See You When I See You

An extended family sits on a couch for a family photo; they make funny faces for the camera.Twenty three years have passed since Jay and Mark Duplass made a seven-minute short titled This is John for $3—yes, three dollars—that premiered in Sundance in 2003 and effectively launched their careers. This year, Jay (who recently directed the intimately sweet The Baltimorons) is back in Park City as a director with See You When I See You, a darkly funny dramedy about coping with PTSD—and your family.  “It feels excellent,” Duplass says about his return to the Utah mountains that’s hosting the Sundance Film Festival for the final time, before next year’s move to Boulder, CO. “Some of my […]

Source

“It’s Like Funny Ordinary People”: Jay Duplass on See You When I See You Read More »

“We Will Be Passing Out Little NOT AI Buttons to Our Audiences”: Valerie Veatch on Her Sundance-premiering Ghost in the Machine

Until now, the Silicon Valley hype cycle has defined the terms of the artificial-intelligence debate, with advocates predicting universal affluence and the end of all diseases while critics worry that computers will steal not only our jobs but our creative pursuits too. Valerie Veatch’s Ghost in the Machine proposes a different possibility altogether: that “AI,” if you can even call it that, is just the latest in a long line of grift-y attempts by powerful, exclusionary white guys to remake the whole world in their own image. Connecting the dots between AI’s origins and such lamentable historical low points as the discredited […]

Source

“We Will Be Passing Out Little NOT AI Buttons to Our Audiences”: Valerie Veatch on Her Sundance-premiering Ghost in the Machine Read More »

“Fake Stuff Makes Me Feel Sick”: John Wilson on The History of Concrete

Two men dressed in business attire stand in front of a large concrete mixer, which is decorated by a red candy cane stripe.The History of Concrete, John Wilson’s first feature-length film, is far stranger and more compelling than the title suggests—and a perfect continuation of his oft-meandering, always philosophical practice. Yes, there are novel factoids about Ancient Rome, the removal of gum from city sidewalks and the oldest concrete road in America, but the plot often shifts and transmogrifies, in true Wilsonian fashion, before circling back to the topic at hand. For some, this constant zooming—out, in, away entirely—can be frustratingly disorienting. For those who enjoy the visual approximation of falling down a (preferably weed-induced) Wikipedia rabbit hole, this is non-fiction at […]

Source

“Fake Stuff Makes Me Feel Sick”: John Wilson on The History of Concrete Read More »

“Her Work Expanded What Lesbian Representation Could Look Like on Screen”: Brydie O’Connor on her Sundance-debuting Barbara Forever

Barbara Hammer, an older woman with short, layered brown hair, smiles in two side by side photos.“It’s been my own life that I’ve put on the screen,” pioneering artist Barbara Hammer says in VO as we witness her striking poses, flexing muscles, and standing defiantly naked before her lens. “My life has been lived in film.” Indeed, the taboo-shattering lesbian/avant-garde filmmaker, who died of ovarian cancer at the age of 79 in 2019, left behind an archive comprised of 80 films, along with a treasure trove of unreleased footage, audio interviews, personal photos and more. It’s an extraordinary body of work, put to skilled cinematic use by Brydie O’Connor—who likewise collaborated with Hammer’s widow Florrie Burke […]

Source

“Her Work Expanded What Lesbian Representation Could Look Like on Screen”: Brydie O’Connor on her Sundance-debuting Barbara Forever Read More »

A Tech Writer’s Appreciation of Scott Macaulay

Scott Macaulay’s remarkable three-decade-plus tenure as Editor-in-Chief of Filmmaker, a magazine by and for indie filmmakers, coincided with momentous changes brought on by tech: the almost total supplantation of a century’s worth of film technologies—production, post-production, distribution, exhibition—by digital systems conferring high-end capabilities upon low-cost cameras and PCs, along with the birth of internet websites and online streaming. Scott, with his roaming intellect, taste for experimental theater and film, and open spirit, was the right person at the right time to captain Filmmaker magazine through these epochal transitions. I know, because my association with Filmmaker, the print magazine, and Scott […]

Source

A Tech Writer’s Appreciation of Scott Macaulay Read More »

Concrete, Bikini Kill and Bad Grandpas: 11 Films to Catch at the 2026 Sundance Film Festival

A burly man in a bright yellow shirt and cutoff jean shorts smooths wet concrete on a sidewalk while a balding man smokes a cigarette and looks on.This year’s Sundance Film Festival promises a somewhat elegiac atmosphere. For starters, this is the last time the festival will take place in snowy Park City, Utah, its home since 1981. (Next year, Sundance will take up residence in similarly snowy Boulder, Colorado.) Adding to the mournful vibe is the still fresh loss of Robert Redford, the festival’s founder and presiding spirit, who died in September. Another devastating loss came with the passing of Tammie Rosen, Sundance’s dedicated Chief Communications Officer, who died in December after a lengthy battle with cancer.  Amid these many lamentations, it’s heartening to see that […]

Source

Concrete, Bikini Kill and Bad Grandpas: 11 Films to Catch at the 2026 Sundance Film Festival Read More »

What Powered Sinners‘ Record-Breaking Haul of Oscar Nominations

The ensemble cast of Sinners, in character, as they stand sweaty and scared before a battle with vampires.One of the great things about living in Los Angeles is that the awards shows start and end at reasonable hours. The trade-off is that the Oscar nominations are announced at the ungodly hour of 5:30 am Pacific Time (timed so that the east coast-based morning shows can carry the news), and I’m already thinking way too much about them before the sun has even come up. But, at last, we have our 10 best picture nominees in Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners and Train Dreams—a solid lineup if […]

Source

What Powered Sinners‘ Record-Breaking Haul of Oscar Nominations Read More »

Chicken & Egg Films Announces 2026 (Egg)celerator Lab Grantees and Relocation of Filmmaker Retreats to Canada

A collage of stills from films accepted into Chicken & Egg's 2026 (Egg)Celerator Lab.Chicken & Egg Films, the Brooklyn-based organization that champions women and gender-expansive documentary filmmakers with funding, mentorship, and access, announces today the grantees of its 2026 (Egg)celerator Lab. Nine feature documentary film projects, all helmed or co-helmed by first- or second-time directors, will receive one year of professional mentorship and a $40,000 production grant. Coinciding with the 2026 (Egg)celerator Lab announcement is news that C&E will, for the first time in the organization’s history, host its signature retreats in Canada. Per a press release, this decision was “in response to the fact that travel to the United States has grown […]

Source

Chicken & Egg Films Announces 2026 (Egg)celerator Lab Grantees and Relocation of Filmmaker Retreats to Canada Read More »

“…As Long as You’re Telling the Truth”: Jordan Lage, Back To One, Episode 376

Actor Jordan Lage, who sports a shaved head and black leather jacket.Jordan Lage is an award-winning actor, writer, director and founding member of the Atlantic Theater Company, which celebrates its 41st anniversary this year. He studied acting at New York University under the tutelage of playwright David Mamet and actor William H. Macy and then taught acting and playwriting at the Atlantic Theater Acting School for nearly 30 years. Best known for his work performing the plays of David Mamet’s, he has acted in multiple productions of the author’s works on Broadway, off-Broadway & regionally, including American Buffalo, Glengarry Glen Ross, Speed-The-Plow, and Oleanna, among others. On this episode, he talks about how his […]

Source

“…As Long as You’re Telling the Truth”: Jordan Lage, Back To One, Episode 376 Read More »

“We Just Love This Beautiful Outsider Art Form”: Dennis Cooper and Zac Farley on Home Haunts and “Room Temperature”

Making an appearance on DC’s, the blog of author Dennis Cooper, each October are haunted houses and their amateur offspring, “home haunts,” the Halloween home makeovers that with varying degrees of imagination turn suburban dwellings into highly personal expressions of horror . For Cooper, the acclaimed author of works such as Closer, Frisk, God, Jr., The Marble Swarm and The Sluts, these necessarily ephemeral stagings are a particular kind of outsider art, which makes their cataloguing each year on Cooper’s website a work of invaluable archiving; they are installations in dialogue with American horror movie iconography in which such figures […]

Source

“We Just Love This Beautiful Outsider Art Form”: Dennis Cooper and Zac Farley on Home Haunts and “Room Temperature” Read More »

Scroll to Top